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Read through the most famous quotes by topic #meta
I read not so long ago about the construction of a large telescope in Chile's Atacama Desert, where rainfall can average a millimetre a year and the air is fifty times as dry as the air in Death Valley. Needless to say, skies over the Atacama are pristine. The pilgrim astronomer ventures to the earth’s ravaged reaches in order to peer more keenly at other worlds, and I suppose the novelist is up to something similar. ↗
Do you see what I see? And can you hear what I hear? Do you feel what I feel? (Can't stop Sleeping Awake) Do you see what I see? And can you hear what I hear? Do you feel like I feel? (Can't stop Sleeping Awake) ↗
If I've got a Dad, and his name is Wormwood Rot, and he's in some heavy metal rock band called Grave Dirt . . . then I'm definitely meeting him! She stares at me awkwardly, and I'm about to ask again—maybe even insist—when she says, "Honey, why do you think he's on the news? Wormwood, I mean . . . your father? Becca, he's . . . dead. ↗
He's reading a book called Great Warlocks of the 18th Century, and to get this ball rolling before Dean Devlin shows up and rains on our private parade, I snort and ask, "Good book?" I forget I'm pretending to be sitting behind my two-thousand-ninety-eight-page Highlights of Modern Chemistry book, so he snorts back. "Better than yours. ↗
#ghouls #heavy-metal #paranormal-romance #romance #romantic-comedy
There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows….. I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul. ↗
The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor — not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies “out there” in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the best agent of conceptual transition. ↗
