#lynch

From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of … Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73. ↗

— Maggie Stiefvater

#ronan-lynch #love

Write someone a love letter, not because you want them to love you...., do it because you love them. Don't want anything from anyone. circa. 2013 ↗

— Vincent Lynch

#love

I rise today to offer a formal and heartfelt apology to all the victims of lynching in our history, and for the failure of the United States Senate to take action when action was most needed. ↗

— George Allen

#apology #failure #formal #heartfelt #history

My version of "Georgia" became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ↗

— Ray Charles

#big #big thing #declaring #georgia #here

Lynch is not as strange as his films. He's a complex guy with a very interesting view of the world. But he's very accessible, with a good heart. ↗

— Kyle MacLachlan

#complex #films #good #good heart #guy

But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does. ↗

— Jack Nance

#bring #cameras #does #done #down

But my mother loved The Elephant Man, and my father gave David Lynch a scholarship to study in Rome. ↗

— Isabella Rossellini

#david lynch #elephant #father #gave #loved

Part of the reason I actually preferred Twin Peaks's second season to its first was the fascinating spectacle of watching a narrative structure disintegrate and a narrative artist freeze up and try to shuck and jive when the plot reached a point where his own weaknesses as an artist were going to be exposed (just imagine the fear: this disintegration was happening on national TV). ↗

— David Foster Wallace

#david-lynch-keeps-his-head #twin-peaks #imagination

If Southern white men are not careful, they will overreach themselves and public sentiment will have a reaction; a conclusion will then be reached which will be very damaging to the moral reputation of their women. ↗

— Ida B. Wells-Barnett

#interracial-interactions #lynching #men

And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from. ↗

— David Foster Wallace

#film #movies