The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement. ↗
I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other. ↗
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism. ↗