No subscription or hidden extras
Read through the most famous quotes by topic #literary
I want to give just a slight indication of the influence the book has had. I knew that George Orwell, in his second novel, A Clergyman's Daughter , published in 1935, had borrowed from Joyce for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys and The Kike and Mrs. Bendigo and the rest of the bums and losers keep up a barrage of song snatches, fractured prayers, curses, and crackpot reminiscences. But only on my most recent reading of Ulysses did I discover, in the middle of the long and intricate mock-Shakespeare scene at the National Library, the line 'Go to! You spent most of it in Georgina Johnson's bed, clergyman's daughter.' So now I think Orwell quarried his title from there, too. ↗
#george-orwell #influence #james-joyce #literary-criticism #literature
Anything that doesn't fit this mode has been shoved into an area of lesser solemnity called 'genre fiction,' and it is here that the spy thriller and the crime story and the adventure story and the supernatural tale and the science fiction, however excellently written, must reside, sent to their rooms, as it were, for the misdemeanor of being enjoyable in what is considered a meretricious way. They invent, and we all know they invent, at least up to a point, and they are, therefore, not about 'real life,' which ought to lack coincidences and weirdness and action-adventure, unless the adventure story is about war, of course, where anything goes, and they are, therefore, not solid. ↗
But there is in everything a reasonable division of labour. I have written the book, and nothing on earth would induce me to read it. ↗
I hope each of us owns the facts of her or his own life," Hughes wrote in a letter to the Independent in April, 1989, when he had been goaded by a particularly intrusive article. But, of course, as everyone knows who has ever heard a piece of gossip, we do not "own" the facts of our lives at all. This ownership passes out of our hands at birth, at the moment we are first observed. The organs of publicity that have proliferated in our time are only an extension and a magnification of society's fundamental and incorrigible nosiness. Our business is everybody's business, should anybody wish to make it so. The concept of privacy is a sort of screen to hide the fact that almost none is possible in a social universe. In any struggle between the public's inviolable right to be diverted and an individual's wish to be left alone, the public almost always prevails. After we are dead, the pretense that we may somehow be protected against the world's careless malice is abandoned. The branch of the law that putatively protects our good name against libel and slander withdraws from us indifferently. The dead cannot be libelled or slandered. They are without legal recourse. ↗
Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men. ↗
#literary-criticism #literary-theory #narrative #nineteenth-century #novels
There is some relationship between the hunger for truth and the search for the right words. This struggle may be ultimately indefinable and even undecidable, but one damn well knows it when one sees it. ↗
#language #literary-criticism #literature #truth #literary-criticism
From the moment I picked your book up until I laid it down, I was convulsed with laughter. Someday I intend reading it. Groucho Marx ↗
Do not start me on The Da Vinci Code ... a novel so bad that it gives bad novels a bad name." (Discussion at Woodruff Auditorium in Lawrence, KS; October 7, 2005.) ↗
#literary-criticism #novels #the-davinci-code #writing #literary-criticism
