I've pretty much run the circle of labels and dealing with that whole kind of battle, because you're the one creating the music, but you're not the final say. That's always been hard. ↗
You know how it is with drawers and labels in the music business. They don't want anything to be complicated. They just want it simple, as simple as possible. ↗
We are meeting with Sony, and we have a couple of other labels that suddenly have interest and that's really great because none of them have actually heard our stuff. ↗
Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels. ↗
Every Southerner, I think, knows people like Bill Clinton, maybe not quite as smart and maybe not quite as liberal, but kind of a glad-handing, country-club yuppie Southerner. The problem is we don't have labels for middle-class Southerners. ↗
Actually, we got signed in November of 2000 with Dreamworks which is the most amazing label. We have friends on other labels and though we are not selling millions of records, yet, they treat us with tons of respect and give us some very good guidance. ↗