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Read through the most famous quotes by topic #kafka
My conception of a novel is that it ought to be a personal struggle, a direct and total engagement with the author's story of his or her own life. This conception, again, I take from Kafka, who, although he was never transformed into an insect, and although he never had a piece of food (an apple from his family's table!) lodged in his flesh and rotting there, devoted his whole life as a writer to describing his personal struggle with his family, with women, with moral law, with his Jewish heritage, with his Unconscious, with his sense of guilt, and with the modern world. Kafka's work, which grows out of the nighttime dreamworld in Kafka's brain, is *more* autobiographical than any realistic retelling of his daytime experiences at the office or with his family or with a prostitute could have been. What is fiction, after all, if not a kind of purposeful dreaming? The writer works to create a dream that is vivid and has meaning, so that the reader can then vividly dream it and experience meaning. And work like Kafka's, which seems to proceed directly from dream, is therefore an exceptionally pure form of autobiography. There's an important paradox here that I would like to stress: the greater the autobiographical content of a fiction writer's work, the *smaller* its superficial resemblance to the writer's actual life. The deeper the writer digs for meaning, the more the random particulars of the writer's life become *impediments* to deliberate dreaming. ↗
...for example, if Freud is wrong, as i and many others believe, where does that leave any number of novels and virtually the entire corpus of surrealism, Dada, and certain major forms of expressionism and abstraction, not to mention Richard Strauss' 'Freudian' operas such as Salome and Elektra, and the iconic novels of numerous writers such as D.H. Lawrence, Franz Kafka, Thomas Mann and Virginia Woolf? It doesn't render these works less beautiful or pleasurable, necessarily, but it surely dilutes their meaning. They don't owe their entire existence to psychoanalysis. But if they are robbed of a large part of their meaning, can they retain their intellectual importance and validity? Or do they become period pieces? I stress the point because the novels, paintings and operas referred to above have helped to popularise and legitimise a certain view of human nature, one that is, all evidence to the contrary lacking, wrong. ↗
#kafka #thomas-mann #woolf #beauty
If anything in Kafka's theology can be called Jewish, it is his virtual lack of any concept of 'Nature'. There is in a sense no 'Nature' in Genesis either, since the world is created for man. There may, however, be more modern reasons for the absence of this concept in Kafka's case. His position here resembles that of Heidegger, whose Existential philosophy represents an attack on Naturalism (while adopting its atheistic presuppositions) and therefore finds no place for nature as such, but only for the world in so far as the world exists 'for human existence', i.e., as 'material'. Heidegger and Kafka are radically original in that aspect of their thought which does away with the natural and the supernatural at the same time. In Kafka the absence of Nature is due to the fact that for him what might be termed the 'institutionalization' of the world is total, indeed totalitarian. There is no room in it for that unoccupied and unused space beyond the sphere of human needs which we are in the habit of revering or enjoying as 'Nature'. Yet there is truth in Kafka's omission of Nature from his world, to the extent that the mechanized civilization of to-day may be described as appropriating and exploiting everything there is as raw material or fuel, and destroying whatever cannot be exploited—even human beings. ↗
