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Read through the most famous quotes by topic #journalism
The managing editor shared Bernstein's fondness for doping things out on the basis of sketchy information. At the same time, he was cautious about what eventually went into print. On more than one occasion, he told Bernstein and Woodward to consider delaying a story or, if necessary, to pull it at the last minute if they had any doubts. 'I don't care if it's a word, a phrase, a sentence, a paragraph, a whole story or an entire series of stories,' he said. 'When in doubt, leave it out.' -- Carl Bernstein, Bob Woodward ↗
#men
A prize-winning science reporter, Simons had become the number-two editor at the Post a year before. An intent, sensitive man with a large nose, thin face and deep-set eyes, he looks like the kind of Harvard teaching assistant who carries a slide ruler strapped to his belt. But he is skillful with fragile egos, and also the perfect counterpoint to Bradlee. Bradlee is more like Woodward: he wants hard information first and is impatient with theories. -- Carl Bernstein, Bob Woodward ↗
#men
Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as the appropriate place to display their tricks. ↗
The term propaganda rings melodramatic and exaggerated, but a press that—whether from fear, careerism, or conviction—uncritically recites false government claims and reports them as fact, or treats elected officials with a reverence reserved for royalty, cannot be accurately described as engaged in any other function. ↗
#fear #iraq-war #journalism #lies #media
If I'd written all the truth I knew for the past ten years, about 600 people - including me - would be rotting in prison cells from Rio to Seattle today. Absolute truth is a very rare and dangerous commodity in the context of professional journalism. ↗
The foreign correspondent is frequently the only means of getting an important story told, or of drawing the world's attention to disasters in the making or being covered up. Such an important role is risky in more ways than one. It can expose the correspondent to actual physical danger; but there is also the moral danger of indulging in sensationalism and dehumanizing the sufferer. This danger immediately raises the question of the character and attitude of the correspondent, because the same qualities of mind which in the past separated a Conrad from a Livingstone, or a Gainsborough from the anonymous painter of Francis Williams, are still present and active in the world today. Perhaps this difference can best be put in one phrase: the presence or absence of respect for the human person. ↗
The image of the journalist as wallflower at the orgy has been replaced by the journalist as the life of the party. ↗
#pop-culture #press #life