Read through the most famous quotes by topic #journal
Simons, as restrained as Bradlee could be hard-charging and obstreperous, liked to tell of watching Bradlee grind his cigarrettes out in a demitasse cup during a formal dinner party. Bradlee was one of the few persons who could pull that kind of thing off and leave the hostess saying how charming he was. -- Carl Bernstein, Bob Woodward ↗
#men
Bradlee had been recruited with the idea that the New York Times need nod exercise absolute preeminence in American journalism. That vision had suffered a setback in 1971 when the Times published the Pentagon Papers. Though the Post was the second news organization to obtain a copy of the secret study of the Vietnam war, Bradlee noted that 'there was blood on every word' of the Times' initial stories. Bradlee could convey his opinions with a single disgusted glance at an indolent reporter or editor. -- Carl Bernstein, Bob Woodward ↗
#men
Aware that much of the story was out of his hands, he tried to exercise what control he could: he hovered around the reporters' typewriters as they wrote, passed them questions as they talked on the phone to sources, demanded to be briefed after they hung up or returned from a meeting. Now, gulping down antacid tablets, Rosenfeld grilled Bernstein and Woodward to find out how solid this latest story was. ↗
#men
The managing editor shared Bernstein's fondness for doping things out on the basis of sketchy information. At the same time, he was cautious about what eventually went into print. On more than one occasion, he told Bernstein and Woodward to consider delaying a story or, if necessary, to pull it at the last minute if they had any doubts. 'I don't care if it's a word, a phrase, a sentence, a paragraph, a whole story or an entire series of stories,' he said. 'When in doubt, leave it out.' -- Carl Bernstein, Bob Woodward ↗
#men
A prize-winning science reporter, Simons had become the number-two editor at the Post a year before. An intent, sensitive man with a large nose, thin face and deep-set eyes, he looks like the kind of Harvard teaching assistant who carries a slide ruler strapped to his belt. But he is skillful with fragile egos, and also the perfect counterpoint to Bradlee. Bradlee is more like Woodward: he wants hard information first and is impatient with theories. -- Carl Bernstein, Bob Woodward ↗
#men
Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as the appropriate place to display their tricks. ↗
The truth is that The Wild One -- despite an admittedly fictional treatment -- was an inspired piece of film journalism. Instead of institutionalizing common knowledge, in the style of Time, it told a story that was only beginning to happen and which was inevitably influenced by the film. It gave the outlaws a lasting, romance-glazed image of themselves, a coherent reflection that only a very few had been able to find in a mirror, and it quickly became the bike rider's answer to The Sun Also Rises. The image is not valid, but its wide acceptance can hardly be blamed on the movie. The Wild One was careful to distinguish between "good outlaws" and "bad outlaws," but the people who were most influenced chose to identify with Brando instead of Lee Marvin whose role as the villain was a lot more true to life than Brando's portrayal of the confused hero. They saw themselves as modern Robin Hoods ... virile, inarticulate brutes whose good instincts got warped somewhere in the struggle for self-expression and who spent the rest of their violent lives seeking revenge on a world that done them wrong when they were young and defenseless. ↗
London is one of the world's centres of Arab journalism and political activism. The failure of left and right, the establishment and its opposition, to mount principled arguments against clerical reaction has had global ramifications. Ideas minted in Britain – the notion that it is bigoted to oppose bigotry; 'Islamophobic' to oppose clerics whose first desire is to oppress Muslims – swirl out through the press and the net to lands where they can do real harm. ↗
He wrote as if he were the reader. It was also how he kept his writing from becoming too cute, which is to say, about him not the subject. Rook was a journalist but strove to be a storyteller, one who let his subjects speak for themselves and stayed out of their way as much as possible. ↗
