I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there. ↗
When I left Ohio when I was 17 and ended up in New York and realised that not all films had the giant crab monsters in them, it really opened up a lot of things for me. ↗
In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely. ↗
Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece. ↗
Once you discover that you can, then you must. And it's not easy. You have to take direct steps. You really have to count your blessings and you have to make a decided effort to not get seduced by the blues. ↗
More live recording. I have missed the boat over my career by not doing every second or third CD live because things happen onstage that don't happen in the studio. ↗