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Read through the most famous quotes by topic #irony
Aku telah mengidap sakit gila nomor enam belas: yakni penyakit manusia yang membuat dunia sendiri dalam kepalanya, menciptakan masalah-masalahnya sendiri, terpuruk di dalamnya, lalu menyelesaikan masalah-masalah itu, sambil tertawa-tawa, juga sendirian. ↗
Captain Smek himself appeared on television for an official speech to humankind. [...] 'Noble Savages of Earth,' he said. 'Long time we have tried to live together in peace.' (It had been five months.) 'Long time have the Boov suffered under the hostileness and intolerableness of you people. With sad hearts I now concede that Boov and humans will never to exist as one.' I remember being really excited at this point. Could I possibly be hearing right? Were the Boov about to leave? I was so stupid. 'And so now I generously grant you Human Preserves - gifts of land that will be for humans forever, never to be taken away again, now.' [...] So that's when we Americans were given Florida. One state for three hundred million people. There were going to be some serious lines for the bathrooms. ↗
The taxi driver felt that it was a good observation, and said he was planning to build for the future, too: he had some money on the horses, and if he won, he would buy his own taxicab, and really do well. I felt very sorry. I told him that betting on the horses was a bad idea, but he insisted it was the only way he could do it. He had such good intentions, but his method was going to be luck. I wasn't going to go on philosophizing, so he took me to a place where there was a steel band playing some great calypso music, and I had an enjoyable afternoon. ↗
#humor-inspirational-life #humor-irony #ignorance-is-strength #opinions #respectability
The average man never really thinks from end to end of his life. The mental activity of such people is only a mouthing of cliches. What they mistake for thought is simply a repetition of what they have heard. My guess is that well over 80 percent of the human race goes through life without having a single original thought. ↗
Suddenly the thought that the end of her life was imminent shocked him; it was one thing to pity someone he didn't know, quite another to face the same dilemma with someone he knew intimately. That was the trouble with beds. They turned strangers into intimates more quickly than ten years of polite teas in parlours. ↗
I can’t help but think that if she was going to kill herself, she might as well have done it earlier. Perhaps when I was a toddler. Or better yet, an infant. It certainly would have made my life easier. I asked my uncle Hugh (who is not really my uncle, but he is married to the stepsister of my current mother’s brother’s wife and he lives quite closeand he’s a vicar) if I would be going to hell for such a thought. He said no, that frankly, it made a lot of sense to him. I do think I prefer his parish to my own. ↗
What one should add here is that self-consciousness is itself unconscious: we are not aware of the point of our self-consciousness. If ever there was a critic of the fetishizing effect of fascinating and dazzling "leitmotifs", it is Adorno: in his devastating analysis of Wagner, he tries to demonstrate how Wagnerian leitmotifs serve as fetishized elements of easy recognition and thus constitute a kind of inner-structural commodification of his music. It is then a supreme irony that traces of this same fetishizing procedure can be found in Adorno's own writings. Many of his provocative one-liners do effectively capture a profound insight or at least touch on a crucial point (for example: "Nothing is more true in pscyhoanalysis than its exaggeration"); however, more often than his partisans are ready to admit, Adorno gets caught up in his own game, infatuated with his own ability to produce dazzlingly "effective" paradoxical aphorisms at the expense of theoretical substance (recall the famous line from Dialectic of Englightment on how Hollywood's ideological maniuplation of social reality realized Kant's idea of the transcendental constitution of reality). In such cases where the dazzling "effect" of the unexpected short-circuit (here between Hollywood cinema and Kantian ontology) effectively overshadows the theoretical line of argumentation, the brilliant paradox works precisely in the same manner as the Wagnerian leitmotif: instead of serving as a nodal point in the complex network of structural mediation, it generates idiotic pleasure by focusing attention on itself. This unintended self-reflexivity is something of which Adorno undoubtedly was not aware: his critique of the Wagnerian leitmotif was an allegorical critique of his own writing. Is this not an exemplary case of his unconscious reflexivity of thinking? When criticizing his opponent Wagner, Adorno effectively deploys a critical allegory of his own writing - in Hegelese, the truth of his relation to the Other is a self-relation. ↗
