#imagery

People peep into boxes at moving stereoscopic prints, imagining they're in other worlds, and the crowd around a glassblower wonders whether icicles have formed in summer. Potted trees revive and suddenly look fresh when a florist sprinkles water on them, while papier-mâché turtles hanging out for sale move in the wind and take on souls. ↗

— Haruo Shirane

#hiraga-gennai #imagery #japanese #imagination

Few witnesses agree, and fewer still were granted a glimpse of the Incredible Bone-Shaking Drill Engine. Its course took it under the earth and down hills, gouging up the land beneath the luxurious homes of wealthy mariners and shipping magnates, under the muddy flats where sat the sprawling sawmill, and down along the corridors, cellars, and storage rooms of general stores, ladies' notions shops, apothecaries, and yes ... the banks. ↗

— Cherie Priest

#home

Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle. ↗

— Haruki Murakami

#imagery #music #records #beauty

Grampie's boat was a little double-ender, a model not built nowadays. She was narrow, so that she pitched and rolled something wicked in almost any sea. He could handle her, but he said she was probably the boat Christ got out of and walked away from on the water. ↗

— Ruth Moore

#imagery #humor

[M]en, though they know full well how much women are worth and how great the benefits we bring them, nonetheless seek to destroy us out of envy for our merits. It's just like the crow, when it produces white nestlings: it is so stricken by envy, knowing how black it is itself, that it kills its own offspring out of pique. ↗

— Moderata Fonte

#dignity #empowerment #envy #feminism #gender

And my life went to pieces, like a love letter in the rain. ↗

— Will Christopher Baer

#simile #life

All her life she had believed in something more, in the mystery that shape-shifted at the edge of her senses. It was the flutter of moth wings on glass and the promise of river nymphs in the dappled creek beds. It was the smell of oak trees on the summer evening she fell in love, and the way dawn threw itself across the cow pond and turned the water to light. ↗

— Eowyn Ivey

#imagery #beauty

In the middle of nowhere, along a quiet stretch of road, the diner dreamt of the hungry dead. And of two men. ↗

— A. Lee Martinez

#imagery #men

From time to time, too, and for the space of two or three paces, an image or an echo would rise up from the recesses of time: in the little streets of the beaters of silver and gold, for instance, there was a clear, unhurried tinkling, as if a djinn with a thousand arms was absent-mindedly practising on a xylophone. ↗

— Claude Lévi-Strauss

#music #music

What is more cheerful, now, in the fall of the year, than an open-wood-fire? Do you hear those little chirps and twitters coming out of that piece of apple-wood? Those are the ghosts of the robins and blue-birds that sang upon the bough when it was in blossom last Spring. In Summer whole flocks of them come fluttering about the fruit-trees under the window: so I have singing birds all the year round. ↗

— Thomas Bailey Aldrich

#happiness #imagery #seasons #twitter