#horror

The sky hides the night behind it, and shelters the people beneath from the horror that lies above. ↗

— Paul Bowles

#behind #beneath #hides #horror #lies

But my doubt would not be overcome. Kierkegaard had declared that it was only to the consciousness of sin that Christianity was not horror or madness. For me it was sometimes both. ↗

— Georg Brandes

#christianity #consciousness #declared #doubt #had

I don't like to talk about work in progress, but the novel I'm working on now is definitely not horror. ↗

— Poppy Z. Brite

#definitely #horror #i #like #novel

We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that. ↗

— Connie Britton

#american #characters #far #friday #friday night

This death cult has no reason and is beyond negotiation. This is what makes it so frightening. This is what causes so many to engage in a sort of mental diversion. They don't want to confront this horror. So they rush off in search of more comprehensible things to hate. ↗

— David Brooks

#causes #comprehensible #confront #cult #death

I like all of the mental, psychological thriller movies too. I enjoy horror movies across the board. ↗

— Sophia Bush

#board #enjoy #horror #horror movies #i

It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture. ↗

— John Carpenter

#business #certainly #changed #days #films

The United Nations was founded in the aftermath of World War II, just as the world was beginning to learn the full horrors of history's worst genocide, the Holocaust that consumed 6 million Jews and 3 million others in Europe. ↗

— Linda Chavez

#beginning #consumed #europe #founded #full

Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter. ↗

— Barry N. Malzberg

#cornell-woolrich #fantastic #gothic #horror #noir

No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I've done, even the way scenes are shot in 'Kinsey and 'Gods and Monsters.' ↗

— Bill Condon

#been #completely #definitely #direct #doing