#hollywood

Hollywood has its own way of telling stories. I was just telling stories that I was familiar with. And it's what I want to do in the future: I want to take my audio cinema and put it on the screen. ↗

— Ice T

#cinema #familiar #future #hollywood #i

There are plenty of lesbians in Hollywood, but they're not out. And that's their choice, but I can't do that, it's too important to me. ↗

— Jill Bennett

#hollywood #i #important #lesbians #me

The only person who has artistic control is the director, and 'director' is how you spell God in Hollywood. ↗

— Tom Clancy

#control #director #god #hollywood #how

It's a good time to be making movies, despite the cynicism people have about Hollywood. ↗

— Rob Morrow

#cynicism #despite #good #good time #hollywood

Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood. ↗

— Vic Morrow

#castles #crew #duplicated #episodes #france

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice. ↗

— Eve Golden

#classic-hollywood #film #films #frank-capra #hollywood

One of the common themes you will read in interview after interview is the call to keep fighting for your vision. This is a message to women directors, producers, writers—anyone who wants to work in the business. Your voice counts. Your vision matters. ↗

— Melissa Silverstein

#director #directors #documentaries #feminism #film

I could not take one more minute of trying to convince the people of Los Angeles that a workers’ revolution and a complete overhaul of society was a tiny bit more exciting than getting a bit role in a Burger King commercial ↗

— Susie Bright

#los-angeles #radicalism #revolution #death

It's said in Hollywood that you should always forgive your enemies - because you never know when you'll have to work with them. ↗

— Lana Turner

#always #because #forgive #hollywood #know

Now we really like to put people in boxes. As men, we do it because we don't understand characters that aren't ourselves and we aren't willing to put ourselves in the skin of those characters and women, I think, terrify us. We tend not to write women as human beings. It's cartoons we're making now. And that's a shame. ↗

— Paul Haggis

#hollywood #media #representation #women #women-and-men