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Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice. ↗
I quickly, swiftly, reach in, pluck out, and peer into the mirror. 'I am still here.' I am in the glass, in this moment. After this moment, I may not be here; I may be a person who does not know where she is, or why. I leave the kitchen table to bathe, and to dress for church. If only my closet held on its shelves an array of faces I could wear rather than dresses, I would know which face to put on today. As for the dresses, I haven't a clue. ↗
#afterlife #astrology #brothers #children-of-celebrities #class-struggle
What does she do?" "She's a producer." Of course, in Los Angeles this doesn't mean much more than "she's a member of the human race. ↗
#film-industry #hollywood #los-angeles #movie-business #southern-california
