Read through the most famous quotes by topic #hat
Don’t we get it? To put our arm around someone who is gay, someone who has an addiction, somebody who lives a different lifestyle, someone who is not what we think they should be… doing that has nothing to do with enabling them or accepting what they do as okay by us. It has nothing to do with encouraging them in their practice of what you or I might feel or believe is wrong vs right. It has everything to do with being a good human being. A good person. A good friend. ↗
The police called it choking, but I called it a two-handed neck hug. That’s how I knew she really loved me. ↗
HAMLET I will receive it sir with all diligence of spirit. Put your bonnet to his right use, 'tis for the head. OSRIC I thank you lordship, it is very hot. HAMLET No believe me, 'tis very cold, the wind is northerly. OSRIC It is indifferent cold my lord, indeed. HAMLET But yet methinks it is very sultry and hot for my complexion. OSRIC Exceedingly my lord, it is very sultry, as 'twere - I cannot tell how. But my lord, his majesty bade me signify to you that a has laid a great wager on your head. Sir, this is the matter - HAMLET I beseech you remember. (Hamlet moves him to put on his hat) ↗
You can take charge, kick ass, do whatever you have to do and it's okay. You can blow people up. These are things that are okay for cartoon characters to do. ↗
As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. ↗
Signý knew she would die a thousand deaths upon seeing another woman with him, bearing his children, raising them with him. All the while, Signý, caged in his dungeons, hearing all the painful details of his life with someone else, drowning in her own despair, her love for him turning to hatred. A more tragic life, she could not imagine. ↗
The US is the most wretchedly villainous state of all times. Anyone aware of global issues can easily imagine how vast the hatred for the United States - a corrupted, swollen, paralysing and suffocating political entity - must be across the Third World - and among the thinking minority of the West too. ↗
Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think. ↗
#gulley-jimson #imagination #maidens #pugs #spinal-curvature
