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He felt safe with her. He'd never been safe with another human being, not since he'd been taken as a child from his home. He'd never been able to trust. He could never give that last small piece - all that was left of his humanity - into someone else's keeping. And now there was Rikki. She let him be whatever he had to be to survive. She didn't ask anything of him. There was no hidden motive. No agenda. Just acceptance. She was different - imperfect, or so she thought - and she knew what it was like to fight to carve out a space for herself. She was willing for him to do thar. ↗
If the world were full of the self-seeking individuals found in economics textbooks, it would grind to a halt because we would be spending most of our time cheating, trying to catch the cheaters, and punishing the caught. The world works as it does only because people are not the totally self seeking agents that free-market economics believes them to be. We need to design an economic system that, while acknowledging that people are often selfish, exploits other human motives to the full and gets the best out of people. The likelihood is that, if we assume the worst about people, we will get the worst out of them. ↗
Whedon: Studios will tell you: A woman cannot headline an action movie. After The Hunger Games they might stop telling you that a little bit. Whatever you think of the movie, it’s done a great service. And after The Avengers, I think it’s changing. Johansson: A lot of the female superhero movies just suck really badly. Whedon: The suck factor is not small. Johansson: They are really not well made, and already you’re fighting against the tide. There are a couple [female-driven action movies] that have worked-ish, don’t you think? Hemsworth: Angelina Jolie tends to do it pretty well, as the dominant female. Jackson: They got to get The Pro to the screen! Whedon: [Groaning] See, that is the problem. Sam is the problem! Jackson: I love that book! Whedon: [Reluctantly] The Pro is hilarious. Jackson: The Pro’s hilarious. [To the group] You ever see or hear of it? Johansson: No, what’s The Pro? Jackson: It’s [a comic book] about a hooker who gets super powers! Johansson: [Pauses] That is exactly the problem right there. Whedon: That’s why I wasn’t going to bring up The Pro! (From an Entertainment Weekly interview) ↗
I hope they understand that I'm not angry, I'm just saying... Sometimes goodbye is a second chance. ↗
Big production, no story, as they say around the movie lots. I guess Sylvia is happy enough, though not necessarily with me. In our circle that's not too important. There's always something to do if you don't have to work or consider the cost. It's no real fun, but the rich don't know that. They never had any. They never want anything very hard except maybe somebody else's wife and that's a pretty pale desire compared to the way a plumber's wife wants new curtains for the living room. ↗
The next chamber is full of songbirds, if I remember right. Their music is like turtleweed. It will put you to sleep if you listen to it. They sleep most of the time, so the best thing is to pass through without waking them up. If they do awaken, then you must sing loud enough to drown out their music." "Great," Han said. "Whose idea was that?" "It seemed like a good idea at the time," Crow said. "I was an excellent singer. ↗
With my guitar, I could write my own stories, my own poems, and my own destiny. No one could take away the feelings, the emotions or the truth of my notes. They could hide secrets and provoke images of words that never should be whispered. I could compose the melody of my aching heart and write into it my own happily ever after since no one seemed to think after all my suffering I deserved one. That's okay, I would make my own. ↗
For too long we seem to have surrendered personal excellence and community value in the mere accumulation of material things. Our gross national product now is over 800 billion dollars a year, but that gross national product, if we judge the United States of America by that, that gross national product counts air pollution, and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for people who break them. It counts the destruction of the redwoods and the loss of our natural wonder in chaotic squall. It counts Napalm, and it counts nuclear warheads, and armored cars for the police to fight the riots in our city. It counts Whitman's rifles and Speck's Knifes and the television programs which glorify violence in order to sell toys to our children. Yet, the gross national product does not allow for the health of our children, the quality of their education, or the joy of their play; it does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything, in short, except that which makes life worth while. And it can tell us everything about America except why we are proud that we are Americans. ↗
She wanted an Angel of Music . . . an angel who would make her believe in herself at last. I'd been the Angel of Doom for the khanum. There was no reason in the world why I could not be the Angel of Music for Christine. I couldn't hope to be a man to her, I couldn't ever be a real, breathing, living man waking at her side and reaching out for her . . . But I could be her angel' -Erik ↗
