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Read through the most famous quotes by topic #guilt
The Shrink always warned me that carriers stay wracked with lifelong guilt. It's not an uplifting thing having turned lovers into monsters. We feel bad that we haven't turned into monsters ourselves--survivor's guilt, that's called. And we feel a bit stupid that we didn't notice our own symptoms earlier. I mean, I'd been sort of wondering why the Atkins diet was giving me night vision. But that hadn't seemed like something to worry about... ↗
Her free hand was clenched in a fist. I held still, waiting for her to say something, to tell me she should have never left me here, where her friends might look to me for help. Finally she looked at me. Her eyes were hard, but she'd let no tears fall. "This is where we blame those who are responsible, Cooper, she told me, her voice very soft. "The colemongers, and the bought Dogs at Tradesmen's kennel. We'll leave an offering for him with the Black God when all this is done, and we'll occupy ourselves with tearing these colemongers apart. all right? We put grief aside for now. ↗
There is, after all, no moral difference between the bigot and the tolerator. They are from case to case positive or negative. One man is bigoted because he was given the sword of truth, another because he is angered in thoughtlessness; then, one man is tolerant because he was given the flag of peace, another because he is cowardly and wishes to hide all guilt. ↗
Death was silence, loss, guilt. And anger. But life led that way, anyway. From birth, it was a slow, long march to the grave. Who said that? She couldn’t remember now. But it was true. They were born dying. If they were very lucky, the dying was called aging. They reached toward if as if they were satellites in unstable orbits. And then when they got there, they were just dead. One moment in time separated the living from the ghosts. ↗
Here, in Lorrain's poisoned little jewel of a tale (“The Man Who Made Wax Heads”) the consummate achievement of decadent art is caught in miniature. The genius of the artist entangles perpetrators and victims in a sticky web of perverse delights, in which exploitation becomes collusion, the ripples of guilt spread outward, and the real criminal slips away. In the end, responsibility is lodged firmly with the consumer, forced – he must confess – by his own perverse desires, to buy into the values of this particularly black market. ↗
No one needed to say it, but the room overflowed with that sort of blessing. The combination of loss and abundance. The abundance that has no guilt. The loss that has no fix. The simple tiredness that is not weary. The hope not built on blindness. ↗