Read through the most famous quotes by topic #great
Listen, kiddo,” he said. “I’m a selfish prick, and I want to be the greatest fuck of your life and ruin you for every man who comes after me. But I’m not a mind reader, so I need some help. Otherwise I could end up as the douchebag who’s got shitty taste in wine and totally traumatized you when you were thirty. ↗
A mans life is interesting primarily when he has failed. I well know. For its a sign that he tried to surpass himself. ↗
#interesting #persistence #power #try #life
if you had to pick between a sail boat and the love of your life i would pick the boat. A girl can leave you but all the boat would do is sail away with you on it and you would have a full heart AND a boat. mabey go with the girl you only get one chance at true love so.... girl. (possible still say boat) what do you pick? ↗
#life
Lots of talk lately about the GREAT AMERICAN NOVEL that seems to be exclusively masculine. And how many of the characters in the GENIUS BOOKS are likable? Is Holden Caulfield likable? Is Meursault in The Stranger? Is Henry Miller? Is any character in any of these system novels particularly likable? Aren’t they usually loathsome but human, etc., loathsome and neurotic and obsessed? In my memory, all the characters in Jonathan Franzen are total douchebags (I know, I know, I’m not supposed to use that, feminine imagery, whatever, but it is SO satisfying to say and think). How about female characters in the genius books? Was Madame Bovary likable? Was Anna Karenina? Is Daisy Buchanan likable? Is Daisy Miller? Is it the specific way in which supposed readers HATE unlikable female characters (who are too depressed, too crazy, too vain, too self-involved, too bored, too boring), that mirrors the specific way in which people HATE unlikable girls and women for the same qualities? We do not allow, really, the notion of the antiheroine, as penned by women, because we confuse the autobiographical, and we pass judgment on the female author for her terrible self-involved and indulgent life. We do not hate Scott Fitzgerald in “The Crack-Up” or Georges Bataille in Guilty for being drunken and totally wading in their own pathos, but Jean Rhys is too much of a victim. ↗
