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Read through the most famous quotes by topic #fernando
With a combination of proper lighting and climate control he managed to achieve a different ecological niche in each gallery. In the African section, where the imbrications of Augustine, Mafouz and Okri lay decomposing, he grew sorghum and Dioscorea yams. In the Chinese gallery where the Tao Te Ching and countless Confucian annotations moldered, he grew rice, crab apples and barley. Over the poems of Neruda and Borges himself, he grew potatoes. Each plant in this new Eden he lovingly tainted with the virus of civilization - from the short story "Resurrection ↗
#love
As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. ↗
Love is the demiurge that builds substance from the elements of our lives. From "Big Enough for the Entire Universe ↗
No início você briga, chora, faz drama mexicano. Então percebe que é cansativo demais manter esse jeito de levar as coisas. Acostuma-se… Não que pare de doer, mas que cai no seu entendimento que às vezes perdemos algo e não há solução. No fim você coloca um sorriso no rosto e finge que é sincero, até que a vida o faça realmente ser. Talvez os amores eternos sejam amenos e os intensos, passageiros. É isso. ↗