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Read through the most famous quotes by topic #evie
The reason faeries don't like iron is that it ties them too strongly to this world. The Paths aren't part of this world - you can't take iron there. It won't let you.' I frowned. "You do realize that makes no sense." 'Unlike being able to open a door in the wall and take you to another hemisphere in a matter of minutes? How odd. Everything about Faerie is usually so rational. ↗
...because of the foulness of her mother's emotional river, a current which ran swift, changing its path without warning... ↗
#descriptive-prose #dystopia #from-review #paranormal-romance #post-apocalyptic
I was going to suggest some hard-won guidelines for responsible reviewing. For instance: First, as in Hippocrates, do no harm. Second, never stoop to score a point or bite an ankle. Third, always understand that in this symbiosis, you are the parasite. Fourth, look with an open heart and mind at every different kind of book with every change of emotional weather because we are reading for our lives and that could be love gone out the window or a horseman on the roof. Fifth, use theory only as a periscope or a trampoline, never a panopticon, a crib sheet or a license to kill. Sixth, let a hundred Harolds Bloom. ↗
I am Orafoura, but you can call me Jarod Kintz. I’m fairly proud to proclaim that Dora J. Arod has me on her short list of “World’s worst writers.” The list couldn’t get any shorter, because I’m the only name on it. I should tell her to stop calling it a list, and change the title to “World’s worst writer.” If you’re wondering why I rate all my work one star, it’s because the rating system doesn’t have a zero star option, or better yet, go into negative numbers. ↗
Catch-22 has much passion, comic and fervent, but it gasps for want of craft and sensibility… Its author, Joseph Heller, is like a brilliant painter who decides to throw all the ideas in his sketchbooks onto one canvas, relying on their charm and shock to compensate for the lack of design… The book is an emotional hodgepodge; no mood is sustained long enough to register for more than a chapter. ↗
Nearly every writer writes a book with a great amount of attention and intention and hopes and dreams. And it's important to take that effort seriously and to recognize that a book may have taken ten years of a writer's life, that the writer has put heart and soul into it. And it behooves us, as book-review-editors, to treat those books with the care and attention they deserve, and to give the writer that respect." Pamela Paul, New York Times Book Review editor, in a Poets & Writer's interview (something for all reviewers to think about) ↗