Read through the most famous quotes by topic #ernst
A work of art wastes away and becomes lustreless in surroundings where it has a price but not a value. It radiates only when surrounded by love. It is bound to wilt in a world where the rich have no time and the cultivated no money. But it never harmonizes with borrowed greatness. ↗
#ernst-jünger #money #art
It is no coincidence that precisely when things started going downhill with the gods, politics gained its bliss-making character. There would be no reason for objecting to this, since the gods, too were not exactly fair. But at least people saw temples instead of termite architecture. Bliss is drawing closer; it is no longer in the afterlife, it will come, though not momentarily, sooner or later in the here and now - in time. The anarch thinks more primitively; he refuses to give up any of his happiness. "Make thyself happy" is his basic law. It his response to the "Know thyself" at the temple of Apollo in Delphi. These two maxims complement each other; we must know our happiness and our measure. ↗
#ernst-jünger #happiness #politics #self-knowledge #architecture
A critical attitude, like activity, is one of the fundamental characteristics of our time. Both are interdependent. If the critical attitude should dwindle, there would be more peace and less intelligence, to the benefit of the essential. Neither criticism nor activity, however, can steer the course in such a direction - this means that higher forces are involved. ↗
The anarch differs from the anarchist in that he has a very pronounced sense of the rules. Insofar as and to the extent that he observes them, he feels exempt from thinking. This is consistent with normal behavior: everyone who boards a train rolls over bridges and through tunnels that engineers have devised for him and on which a hundred thousand hands have labored. This does not darken the passenger’s mood; settling in comfortably, he buries himself in his newspaper, has breakfast, or thinks about his business. Likewise, the anarch – except that he always remains aware of that relationship, never losing sight of his main theme, freedom, that which also flies outside, past hill and dale. He can get away at any time, not just from the train, but also from any demand made on him by state, society, or church, and also from existence. ↗
I assume that in great men whose names I dare not mention, the anarchic element was very powerful. You see, when fundamental changes are to occur in law, custom, and society, they presuppose a great distancing from established principles. And the anarch, should he take any action, is capable of working this lever. ↗
When society involves the anarch in a conflict which in which he does not participate inwardly, it challenges him to launch an opposition. He will try to turn the lever with which society moves him. Society is then at his disposal, say, as a stage for grand spectacles that are devised for him. Everything changes; the fetter becomes fascinating, danger an adventure, a suspenseful task. ↗
Man is born violent but is kept in check by the people around him. If he nevertheless manages to throw off his fetters, he can count on applause, for everyone recognizes himself in him. Deeply ingrained, nay, buried dreams come true. The unlimited radiates its magic even upon crime, which, not coincidentally, is the main source of entertainment in Eumeswil. I, as an anarch, not uninterested but disinterested, can understand that. Freedom has a wide range and more facets than a diamond. ↗
In this place a mind was at work to negate the image of a free and intact man. It intended to rely on man power in the same way that it had relied on horsepower. It wanted units to be equal and divisable, and for that purpose man had to be destroyed as the horse had already been destroyed. ↗
Freedom is based on the anarch’s awareness that he can kill himself. He carries this awareness around; it accompanies him like a shadow that he can conjure up. “A leap from this bridge will set me free. ↗
The anarch, as I have expounded elsewhere, is the pendant to the monarch; he is as sovereign as the monarch, and also freer since he does not have to rule. ↗
