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An artist who painted a face was now 'playing with the idea of portraiture,' or 'exploring push-pull aesthetics,' or toying with contradictions like 'menacing-slash-playful,' but he or she was never, ever, just painting a face. ↗
During the worst stages of my eating disorder, I was all-or-none with food—either bingeing or not eating. Much of my experience was, in fact, that if I ate anything, I would eat everything. I began to understand that this happened because I was starving myself. In starvation mode, my body literally thought I was facing a famine. It didn’t know that I was living near a grocery store and several fast-food restaurants. Thinking I was facing a real food shortage, its primal instinct was to binge on large amounts of food, conserving fat in preparation for the hard times ahead. ↗
Sunny was a treat to read. It is most appealing as the story is very well done and the artwork is beautiful. I applaud the author for writing a book to meet the needs of very young children as well as children of elementary school age. I experienced many different feelings as I read the book and I know otehrs will experience the same thing. The guide to further discussion at the end of teh book will be most helpful as foster parents read this story to the children in their care. ↗
#children-s-literature #emotional #foster-care #foster-children #age
My body slid from human to wolf in a crack! of black smoke. Wolf was panting and I watched frost dissipate on my hot tongue, sending tiny rivulets of steam into the air. The world was sharp and clear, and I never realized how many different colors of shadow there were. It made me savor the dark beauty of night even more. ↗
Ironically, this physically weak feeling signifies that I’m actually getting stronger. I know from my past that I will ultimately feel strong if I just sit with the feeling and experience it. ↗
What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things--from close-ups of insects to panoramas of prairies--which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity. ↗
