I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing. ↗
To work with a director that has emotional commitment and passion toward the characters, and the piece, and the experiences, it only enriches your work. ↗