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Read through the most famous quotes by topic #emo
The gods weave misfortunes for men, so that the generations to come will have something to sing about.” Mallarmé repeats, less beautifully, what Homer said; “tout aboutit en un livre,” everything ends up in a book. The Greeks speak of generations that will sing; Mallarmé speaks of an object, of a thing among things, a book. But the idea is the same; the idea that we are made for art, we are made for memory, we are made for poetry, or perhaps we are made for oblivion. But something remains, and that something is history or poetry, which are not essentially different. ↗
She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me. ↗
This I have known, and these have come again With echoing happiness in heart and brain; Time standing still, surrendering to me Beauty that otherwise would cease to be. ↗
#memory #remembrance #time #beauty
My own dim life should teach me this, That life shall live for evermore, Else earth is darkness at the core, And dust and ashes all that is; This round of green, this orb of flame, Fantastic beauty such as lurks In some wild Poet, when he works Without a conscience or an aim. What then were God to such as I? 'Twere hardly worth my while to choose Of things all mortal, or to use A tattle patience ere I die; 'Twere best at once to sink to peace, Like birds the charming serpent draws, To drop head-foremost in the jaws Of vacant darkness and to cease. ↗
She could afford anything, she could give anything, but she could not share a moment of her life with anybody. She was a beautiful and a glamorous diamond with an astronomical price tag, but to a crude reality — she was still a stone, a living stone. Nothing else but a stone in an aesthetic sense. ↗
#friends #glamour #inspirational #love #money
I'm in the back of a limousine with Charlie Chaplin and it’s 1928. Charlie is beautiful; his body language seems to skip, and reel and rhyme, heartbreaking and witty at the same time. It seems to promise a better world. ↗
Yes, he liked his face as he saw it there, his mouth quivering around the cigarette between his lips and the apparent ardor of his deep-set eyes. But a man’s beauty represents inner, functional truths: his face shows what he can do. And what is that compared to the magnificent uselessness of a woman’s face? Mersault was aware of this now, delighting in his vanity and smiling at his secret demons. ↗