#drawing

Read through the most famous quotes by topic #drawing




I didn't always spell my name Bil. My parents named me Bill, but when I started drawing cartoons on the wall, they knocked the 'L' out of me.


Bil Keane


#bill #cartoons #drawing #i #knocked

I don't have to come up with a ha-ha belly laugh every day, but drawings with warmth and love or ones that put a lump in the throat. That's more important to me than a laugh.


Bil Keane


#come #day #drawings #every #every day

While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.


Kathe Kollwitz


#along #am #bearing #being #burden

Drawing on a computer doesn't make any sense to me. It's not intuitive.


Chris Ware


#computer #drawing #intuitive #make #me

That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.


Jim Woodring


#architecture #brand #course #does #drawings

When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it. When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on. But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it. And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.


Brenda Ueland


#creative-impulse #drawing #simplicity #van-gogh #art

The depressing majority of comics seem to be about violence of one sort or another, [...] And I just don’t enjoy violence. I can see that narratively it is often a powerful spike in a story, but I certainly don’t want to dwell on it. I don’t want it in my real life, I don’t find violence entertaining in and of itself, or exciting, or funny. But sex is happily part of most people’s lives, and crosses the mind most days, I would say, even if it’s just watching your partner get out of bed in the morning. [...] Most pornography is pretty awful. I mean, it does the job at the most utilitarian level, but it rarely excites other areas of the mind, or the eye. It’s repetitive, bland and often a bit silly. I was interested in trying to do something that has an aesthetic beauty to it if possible, and something that tickles the intellect as well as the more basic areas of the mind. Maybe that’s not possible, and as soon as you start to think too much, it stops working as pornography. I don’t think so, but I guess it’s in the eye and mind of the viewer. (speaking about Celluloid - http://www.comicbookresources.com/?pa...)


Dave McKean


#drawing #illustrating #sensuel #sex #violence

After a time,my hand had become as skilled as my eyes.So if I was drawing a very fine tree , it folt as if my hand was moving without me directly it.As I wathced the pencil race across the page,I would look on it in amazement ,as if the drawing were the proof of another presence , as if someone else had taken up residence in my body.As I marvelled at his work aspiring to beome his equal , another part of my brain was busy inspecting the curves of the branches , the placement of mountains , the composition as a whole , reflecting that I had created this scene on a blank piece of paper.My mind was at the tip of my pen , acting before I could think ; at the same time it could survey what I had already done.This second line of perception , this ability to analyse my progress , was the pleasure this small artist felt when he looked at the discovery of his courage and freedom.To step outside myslef , to know the second pesron who had taken up residence inside me , was to retrace the dividing line that appeared as my pencil slipped across the paper.like a boy sledding in the snow. pg.135


Orhan Pamuk


#business

When you draw, you copy the world don't you? You remake it on paper, but it isn't the same. It's yours. No one else could have created it just like that. When I make poems, I use the words we all use, but the order and the sound create a new power. This wood is someone's creation. We stumble through it's tendrils, as if we're crawling through the synapses of his mind.


Catherine Fisher


#drawing #imagination #poems #woods #words

I have designed my style pantomimes as white ink drawings on black backgrounds, so that man's destiny appears as a thread lost in an endless labyrinth. I have tried to shed some gleams of light on the shadow of man startled by his anguish.


Marcel Marceau


#appears #backgrounds #black #designed #destiny