#drawing

Playing acoustic and line drawings are the two things I'm most competent at. ↗

— Robyn Hitchcock

#competent #drawings #i #line #most

Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings. ↗

— Joe Shuster

#character #drawings #early #enjoying #felt

When I and the other young artists were working in comics, our work carried with it a particularly American slant. After all, we were Americans drawing and writing about things that touched us. As it turned out, the early work was, you might say, a comic book version of Jazz. ↗

— Joe Simon

#after #american #artists #book #carried

Throughout my career, when I was finished with the drawing for one film I would go up to the story department and help develop sequences. Sometimes these were for scenes that I would animate later on. ↗

— Marc Davis

#career #department #develop #drawing #film

If I were to draw, I would apply myself only to studying the form of inanimate objects," I said somewhat imperiously, because I wanted to change the subjects and also because a natural inclination does truly lead me to recognise my moods in the motionless suffering of things. ↗

— Italo Calvino

#introspection #moods #suffering #change

I concentrated on his eyes and his facial expression. Those said a lot about a person. I’d noticed that his eyes changed color based on his mood. Right now they were a true clear green, which meant he was happy. When his eyes turned cloudy with a mix of gray, he was angry. But my favorite shade was clear dark green, the color of his eyes when he’d just kissed me. Eyes only told part of the story. Drawing a portrait could be like looking at a person’s soul, when done right. ↗

— Marysue G. Hobika

#romance #change

Evidently, a given object took no particular amount of time to draw; instead the artist took the time, or didn’t take it, at pleasure. And,similarly, things themselves possessed no fixed and intrinsic amount of interest; instead things were interesting as long as you had attention to give them. How long does it take to draw a baseball mitt? As much time as you care to give it. Not an infinite amount of time, but more time than you first imagined. For many days, so long as you want to keep drawing that mitt, and studying that mitt, there will always be a new and finer layer of distinctions to draw out and lay in. Your attention discovers—seems thereby to produce—an array of interesting features in any object, like a lamp. ↗

— Annie Dillard

#drawing #interest #interesting #imagination

I do not deny that I have made drawings and watercolors of an erotic nature. But they are always works of art. Are there no artists who have done erotic pictures? ↗

— Egon Schiele

#art #artists #deny #done #drawings

When I draw something, I try to build some kind of history into it. Drawing an object that has a certain amount of wear and tear or rust; or a tree that is damaged. I love trying to render not just the object, but what it has been through. ↗

— Alan Lee

#history #love

Over the last forty years, many educators, decision-makers, and even some parents have come to regard the arts as peripheral, and let’s face it, frivolous—especially the visual arts, with their connotation of ”the starving artist” and the mistaken concept of necessary talent ↗

— Betty Edwards

#educators #public-schools #starving-artist #talent #art