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Read through the most famous quotes by topic #drawing
I work on words, mostly, toward them being poetry or short stories, and then some of those become songs. They all find their place in the world, but they all start off in the same place. I'm always painting and drawing as well, and it's an ongoing creative assignment. ↗
#assignment #become #being #creative #drawing
After a time,my hand had become as skilled as my eyes.So if I was drawing a very fine tree , it folt as if my hand was moving without me directly it.As I wathced the pencil race across the page,I would look on it in amazement ,as if the drawing were the proof of another presence , as if someone else had taken up residence in my body.As I marvelled at his work aspiring to beome his equal , another part of my brain was busy inspecting the curves of the branches , the placement of mountains , the composition as a whole , reflecting that I had created this scene on a blank piece of paper.My mind was at the tip of my pen , acting before I could think ; at the same time it could survey what I had already done.This second line of perception , this ability to analyse my progress , was the pleasure this small artist felt when he looked at the discovery of his courage and freedom.To step outside myslef , to know the second pesron who had taken up residence inside me , was to retrace the dividing line that appeared as my pencil slipped across the paper.like a boy sledding in the snow. pg.135 ↗
I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page — but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches — which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models — usually friends — if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation. ↗
Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares. ↗
#diagrams #drawing #father #graph-paper #son
I was quiet, a loner. I was one of those children where, if you put me in a room and gave me some crayons and a pencils, you wouldn't hear from me for nine straight hours. And I was always drawing racing cars and rockets and spaceships and planes, things that were very fast that would take me away. ↗
