No subscription or hidden extras
Read through the most famous quotes by topic #dora
Fourteen, fifteen, sixteen, seventeen, lemme tell you. Those are big years. Everybody always thinks of it as a time of adolescence—just getting through to the real part of your life—but it's more than that. Sometimes your whole life happens in those years, and the rest of your life it's just the same story playing out with different characters. I could die tomorrow and have lived the main ups and downs of life. Pain. Loss. Love. And what you all so fondly refer to as wisdom. Wanna know the difference between adult wisdom and young adult wisdom? You have the ability to look back at your past and interpret it. I have the ability to look at my present and live it with my whole body. ↗
He found her not even a block away from the house, sitting on a curb. As he approached, he saw her wiping her face with her forearm. Sabine was...crying? "What are you doing out here, cwena?" Over the past week, Rydstrom had been pleased when she'd worried about him, and gratified when she'd felt the sting of jealousy. Was he a terrible man to hope she was crying about him? She glared at him with her bottom lip quivering, allowing him to see her like this instead of using a mask. "I d-don't have anywhere else to g-go." Another swipe of her forearm over her eyes. "Lanthe's gone, and I c-can't get to her for six days. And I'm in a strange t-town and land, and Vrekeners are everywhere." Sabine hadn't even mentioned what they'd just gone through- "And you br-broke up with me!" she said, her tears falling faster. "Is that supposed to make me happy?" "Come inside, Sabine." "No! You t-told me not to." She sniffled, "You don't want me at your house." He swooped her up in his arms. "Will you shut up?" With his free hand, he brushed her tears. "I made it ten minutes before I came after you. ↗
MICHAEL (standing up and stretching) Gosh, Steve. I don't know how to thank you. STEVE (also standing) Hey, don't thank me. It means you haven't got any excuse now not to get back to work. They are facing each other. STEVE is looking into MICHAEL's eyes. MICHAEL (embarrassed) So... STEVE (also slightly awkward) Right. Well, I guess I'd better be... MICHAEL, surprising himself, silently pulls STEVE towards him. He puts a hand on his cheek. STEVE stares at MICHAEL, unable to move. The feeling of MICHAEL's hand on his cheek is like an electric shock. MICHAEL (whispering, hardly audible) I mean it, really... thanks. He leans forward and kisses STEVE on the lips. STEVE puts his arms round MICHAEL's neck and holds him tightly. MICHAEL suddenly ends the kiss and pulls away. He goes to the door, opens it and says, in a clear voice. MICHAEL Goodnight, then, Steve. STEVE (disappointed, hurt) Right... sure. G'night. MICHAEL immediately closes the door loudly, before STEVE has had a chance to leave. MICHAEL puts a finger to his lips. STEVE suddenly understands. He smiles in radiant relief, pure love and joy in his eyes. They embrace. ↗
#so-adorable #sobs-can-i-cry-now #stephen-fry #this-is-just-so-cute-i-just-nope #love
Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole. ↗
#eudora-welty #listening #storytelling #writing #storytelling
We do need to bring to our writing, over and over again, all the abundance we possess. To be able, to be ready, to enter into the minds and hearts of our own people, all of them, to comprehend them (us) and then to make characters and plots in stories that in honesty and with honesty reveal them (ourselves) to us, in whatever situation we live through in our own times: this is the continuing job, and it's no harder now than it ever was, I suppose. Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most ↗
Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel. ↗
There is nothing on earth more beautiful to me than your smile...no sound sweeter than your laughter...no pleasure greater than holding you in my arms. I realized today that I could never live without you, stubborn little hellion that you are. In this life and the next, you’re my only hope of happiness. Tell me, Lillian, dearest love...how can you have reached so far inside my heart? ↗