#dialogue

I didn't record any additional dialogue for this CD, they are excerpts pulled from existing episodes. ↗

— Tara Strong

#any #cd #dialogue #episodes #existing

I was kind of excited about going to jail the first time and I learnt some great dialogue. ↗

— Quentin Tarantino

#dialogue #excited #first #first time #going

When you do not have the dialogue to explain things, you will use everything to show and to tell the story. I think that this is what makes you believe that it is impeccable. ↗

— Michel Hazanavicius

#dialogue #everything #explain #i #i think

Rob looked a little shocked. "Don't you look at me like that," I snapped at him. "Just because I can't trim a beard don't mean I can't swear." "Like a sailor," he added. "I've never heard so many curses in my whole life. All combined. ↗

— A.C. Gaughen

#snappy-dialogue #humor

[A]lways get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start." (Interview, The Paris Review, Issue 64, Winter 1975) ↗

— P.G. Wodehouse

#dialogue #writing #paris

Well, anyway, this'll be easier than knocking an elf out of a tree. Trust me.' 'How many elves have you knocked out of trees, Stubble?' 'Duraden's bones! Have ye never heard of a figure of speech? ↗

— Ian Livingstone

#dialogue #fantasy #funny #stubble #zagor

The world requires me to re-write its wretched dialogue! ↗

— Richard Greenberg

#humor #writing #humor

I have seen nothing and nothing but death and destruction. Creation yes, but more death than birth. Mankind has learned nothing from their forefathers…their ancestors. It is true what they say, history does repeat itself, Delacroix and those after history are left to make history but how can they make history when history has already been made? - Damion Nicodemeus; Chapter 1: Christian’s Training ↗

— S.C. Parris

#dialogue #history #history-repeating-itself #inspirational #the-dark-world

She had been hesitant the first night, right before she had launched into him like a wild animal. The imprint of her violence had lasted on him well until the morning and while he had been hurt, he had loved the fact that she was into him, that she lusted after him fanatically, that she scratched him, wept on him, bit him and he was grateful that she let him see her like that: unhinged, throbbing and warm-skinned. She was powerful and thus ironically all the more defenceless in surrender. At times he felt as though she truly hated him, hated him for making her feel like this, for having to condescend herself just by wanting him. He felt as though she was warning him constantly through her seething, hurtling silence; to not let her down after she had disclosed so much of her soul to him. Her insecurities, her memories, her fetishes, her scent, her limbs; they had all been laid-bare in front of him and as he lay there next to the girl whose chest heaved and fell like the meter of a ghazal, he fell in love with that girl and her bundle of contradictions.’ ('Left from Dhakeshwari') ↗

— Kunal Sen

#lovers #love

Any director, if you really ask them, will tell you that the toughest thing to do is like a dinner table or a dialogue scene, because you need to keep that electricity maintained throughout the course of the film. ↗

— Gary Ross

#ask #because #course #dialogue #dinner