To me, all writing is like music. And especially dialogue. I studied music in college; that is what I wanted to be, a composer. Acting got me sidetracked. ↗
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it. ↗
The truth is - I found myself doing these huge action-adventure movies, and um, and which are cool man. And I really love doing them. And thankfully I haven't had too much dialogue, because if I had I would have really made a mess of it. You know what I mean? ↗
I am encouraged that there's going to be much better dialogue between the federal government and the state of Arizona. I mean, I hope that's not wishful thinking. ↗
Of course, China is a key to the North Korea if we're going to solve that riddle, but they could also be helpful on Iraq, which is why it's important that we maintain a constructive dialogue with China. ↗
I would take plays and I would cut out all the other dialogue and make long monologues because I felt the other kids weren't taking it as seriously as I did. ↗
The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice. ↗