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Read through the most famous quotes by topic #detective
Elphaba’s face darkened again. Then she asked, hesitantly, as if afraid of the answer, “So, how do you get the evil life force?” “From innocent people, Elphaba,” Nick spoke so quietly he almost whispered. “I must draw the life force from innocent people. The more innocent they are, the more evil the murder is.” Elphaba jerked as though a shock had struck her in the heart. “Oh, that’s terrible!” “Yes, it is. Terrible. That word doesn’t even do it justice, terrible. There is no Magick more terrible than Magick that cheats death. I have cheated death, and death extracts its price.” Elphaba silently looked at Nick, her expression of revulsion enough to communicate her feelings. “You shouldn’t act so surprised, malyutka,” Nick said softly. “It is who I am. And it’s worked for me for centuries.” Elphaba sat for a moment, trying to calm herself. “Yes, you’re right. I knew that part of you was a monster. Sometimes it’s easy to forget, since you seem to be such a decent guy.” “Lyches are monsters. ↗
For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy. ↗
#book-reviews #inaki-echevarne #literary-criticism #savage-detectives #the-written-word
A selection of quotes from The Night of Harrison Monk’s Death (Jane Hetherington's Adventures in Detection: 1) "Is this one of the more unusual cases of safe-breaking you've been asked to investigate, Mrs Hetherington?" "Remember your private detective wants to be able to sleep soundly at night and in their own bed, not one supplied as her Majesty's pleasure." "It seems to be an open and shut case doesn't it? But it's not you know? How do you know if anything is what it seems?" "But where is Cheung kin?" "When I first set eyes on your father, he was spying on a man from between two volumes of the Encyclopaedia Britannica." "I don't think I need say more." "On the contrary, if you want me to have any idea what you're talking about, I think you do." "Why don't you report it to the police?" "Because I stole it in the first place didn't I?" "It's something of a mystery, I admit." "Vanished into thin air!" "You sound so sensible Mrs Hetherington. Please help us get to the bottom of this." Ah, thought Jane – the old story. "No body was found?" "Shall I put the kettle on?" "Only if you fill it with whiskey." "The course of true love didn't run smoothly for me either, you know." "Life has its tragedies for sure." "… What do I want? I want money that's what I want. I want money." She was even more horrified by the words she heard next. Callum MacCallum knew what it was like to be an outsider. ↗
#crime #female-private-detective #mystery #suspense #whodunnit
Make no mistake, Elphaba, Goddess Magick was potent in the old days. During the Dark Ages the Catholic Church had their hands full fighting it. Unfortunately, in large measure the Church won that war, relegating Wicca, Druidism and the rest to the fringes of society. With vastly weakened power.” “Except yours, Nick.” “I’ve always been a special case, Elphaba,” Nick explained. “Even though I began my career as an alchemist, I soon turned away from that practice and forged my own path. I uncovered my own secrets and kept them secret. That’s how I was able to maintain my power for so long. ↗
The Special Operations Network was instigated to handle policing duties considered either too unusual or too specialized to be tackled by the regular force. There were thirty departments in all, starting at the more mundane Neighborly Disputes (SO-30) and going onto Literary Detectives (SO-27) and Art Crime (SO-24). Anything below SO-20 was restricted information, although it was common knowledge that the ChronoGuard was SO-12 and Antiterrorism SO-9. It is rumored that SO-1 was the department that polices the SpecOps themselves. Quite what the others do is anyone's guess. What is known is that the individual operatives themselves are mostly ex-military or ex-police and slightly unbalanced. 'If you want to be a SpecOp,' the saying goes, 'act kinda weird... ↗
#art #crime #detectives #literary #military
The detective story, as created by Poe, is something as specialised and as intellectual as a chess problem, whereas the best English detective fiction has relied less on the beauty of the mathematical problem and much more on the intangible human element. [...] In The Moonstone the mystery is finally solved, not altogether by human ingenuity, but largely by accident. Since Collins, the best heroes of English detective fiction have been, like Sergeant Cuff, fallible. ↗
Why did so many teenagers fall for Stanley Horowitz’s tricks?” “These were impressionable teenagers,” Nick explained. “Many of them were devoted fans of romantic Vampyre stories. They over-romanticized what it means to be a Vampyre, and that gave Stanley a way to manipulate them.” “I’ve read Twilight,” Tamara said. “My daughter is a huge fan. Is she in any danger?” “The danger arises from wanting to belong to the in crowd so badly, you lose sight of what’s real and what’s fantasy.” “Surely today’s teenagers know that vampires are fantasy,” Tamara said. “Possibly. But remember, Vampyres are not romantic. Vampyres are dead. They are walking reminders of tragedy. Loving one is necrophilia. And wanting to be one is the first step on the road to catastrophe. ↗
Elphaba gave him a sidelong glance. “I think you enjoy going to school, Nick. Are you sure canoodling with teenage girls isn’t your ulterior motive?” “Perish the thought, Elphaba, perish the thought. I’m too old for that.” Nick winked. “By about eight hundred years. ↗
