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Read through the most famous quotes by topic #daughter
North is a powerful man, and you're still connected to him." Flo frowned. "Probably sexual memory, those Capricorns are insatiable. Well, you know. Sea Goat. And of course, you're a Fish. You'll end up back in bed with him." Andie slammed the car door. "You know what I'd like for Christmas, Flo? Boundaries. You can gift me early if you'd like. ↗
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us. ↗
once ruffle-skirted vanity table where I primped at thirteen, opening drawers to a private chaos of eyeshadows lavender teal sky-blue, swarms of hair pins pony tail fasteners, stashes of powders, colonies of tiny lipsticks (p.39) ↗
#colon-cancer #death #death-and-dying #death-and-sickness #death-at-home
I want to give just a slight indication of the influence the book has had. I knew that George Orwell, in his second novel, A Clergyman's Daughter , published in 1935, had borrowed from Joyce for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys and The Kike and Mrs. Bendigo and the rest of the bums and losers keep up a barrage of song snatches, fractured prayers, curses, and crackpot reminiscences. But only on my most recent reading of Ulysses did I discover, in the middle of the long and intricate mock-Shakespeare scene at the National Library, the line 'Go to! You spent most of it in Georgina Johnson's bed, clergyman's daughter.' So now I think Orwell quarried his title from there, too. ↗
#george-orwell #influence #james-joyce #literary-criticism #literature
To paraphrase Woody Allen in Annie Hall, love was too weak a word for what I felt for that tiny crying creature who had my eyes, my mouth, my hair. I lurved my daughter, my Ava. I looved her. I lurfed her. ↗
Miranda rolls her eyes. "Passing over," she says. "That's nice. Is that anything like kicking the bucket? Keeling over, taking a dirt nap, biting the big one? ↗