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Read through the most famous quotes by topic #criticism
To point out nonepistemic motives in another’s view of the world, therefore, is always a criticism, as it serves to cast doubt upon a person’s connection to the world as it is. ↗
[T]he new weird represents a productive experiment in fantasy fiction. The New Wave of the 1960s and 1970s arguably embodied science fiction's claim to literary 'seriousness.' This desire for seriousness is not snobbery, as sometimes suggested by folks who overemphasize the entertainment function of speculative fiction; it's about recognition of the vast possibilities within the field. ↗
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Old English poetry also contained a wide range of conventional poetic diction, many of the words being created to allow alliterative patterns to be made. There are therefore numerous alternatives for key words like battle, warrior, horse, ship, the sea, prince, and so on. Some are decorative periphrases: a king can be a 'giver of rings' or a 'giver of treasure' (literally, a king was expected to provide his warriors with gifts after they had fought for him). ↗
What are American dry-goods? asked the duchess, raising her large hands in wonder and accentuating the verb. American novels, answered Lord Henry. ↗
...a fundamental rule of journalism, which is to tell a story and stick to it. The narratives of journalism (significantly called "stories"), like those of mythology and folklore, derive their power from their firm, undeviating sympathies and antipathies. Cinderella must remain good and the stepsisters bad. "Second stepsister not so bad after all" is not a good story. ↗
Here the phenomenologist has nothing in common with the literary critic who, as has frequently been noted, judges a work that he could not create and, if we are to believe certain facile condemnations, would not want to create. A literary critic is a reader who is necessarily severe. By turning inside out like a glove an overworked complex that has become debased to the point of being part of the vocabulary of statesmen, we might say that the literary critic and the professor of rhetoric, who know-all and judge-all, readily go in for a simplex of superiority. As for me, being an addict of felicitous reading, I only read and re-read what I like, with a bit of reader's pride mixed in with much enthusiasm. ↗
For the most basic assumption that dictated my early attempts to respond to creative music commentary was the mistaken belief that western journalists had some fundamental understanding of black creativity—or even western creativity—but this assumption was seriously in error. ↗
