#cornell

Then in 1969, I spent the spring term at Cornell University in New York. The invasion of August 1968 had already happened, but the hardline regime took several months to crack down on dissidents. ↗

— Vaclav Klaus

#august #cornell #crack #dissidents #down

But suspense presupposes uncertainty. No matter how nightmarish the situation, real suspense is impossible when we know in advance that the protagonist will prevail (as we would if Woolrich had used series characters) or will be destroyed. This is why, despite his congenital pessimism, Woolrich manages any number of times to squeeze out an upbeat resolution. Precisely because we can never know whether a particular novel or story will be light or dark, allegre or noir, his work remains hauntingly suspenseful. ("Introduction") ↗

— Francis M. Nevins

#noir #noir-fiction #suspense #pessimism

All we can do about this nightmare we live in is to create, if we are very lucky, a few islands of love and trust to sustain us and help us forget. But love dies while the lovers go on living, and Woolrich excels at making us watch while relationships corrode. He knew the horrors that both love and lovelessness can breed, yet he created very few irredeemably evil characters; for with whoever loves or needs love, Woolrich identifies, all of that person's dark side notwithstanding. ("Introduction") ↗

— Francis M. Nevins

#crime-fiction #life #noir #noir-fiction #life

Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter. ↗

— Barry N. Malzberg

#cornell-woolrich #fantastic #gothic #horror #noir

I am a teacher, and I am proud of it. At Cornell University I have taught primarily undergraduates, and indeed almost every year since 1966 have taught first-year general chemistry. ↗

— Roald Hoffmann

#am #chemistry #cornell #every #general