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Read through the most famous quotes by topic #conception
Two common conceptions with regard to advertising which are held by a considerable number of people are that enormously large sums of money are expended for it, and that much of this expenditure is an economic waste. ↗
#common #conceptions #considerable #considerable number #economic
Erlaube," fuhr Meister Abraham fort, "erlaube, mein Johannes, mit dem Just magst du mich kaum vergleichen. Er rettete einen Pudel, ein Tier, das jeder gern um sich duldet, von dem sogar angenehme Dienstleistungen zu erwarten, mittelst Apportieren, Handschuhe-, Tabaksbeutel- und Pfeife-Nachtragen usw., aber ich rettete einen Kater, ein Tier, vonr dem sich viele entsetzen, das allgemein als perfid, keiner sanften, wohlwollenden Gesinnung, keiner offenherzigen Freundschaft fähig ausgeschrieen wird, das niemals ganz und gar die feindliche Stellung gegen den Mensch aufgibt, ja, einen Kater rettete ich aus purer uneigennütziger Menschenliebe ... Es ist das gescheiteste, artigste, ja witzigste Tier der Art, das man sehen kann, dem es nur noch an der höhern Bildung fehlt, die du, mein lieber Johannes, ihm mit leichter Mühe beibringen wirst. ↗
Do you think, because I am poor, obscure, plain and little, I am soulless and heartless? You think wrong! - I have as much soul as you, - and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you! ↗
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism. The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them. In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void. Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned. ↗
#creativity #inspiration #novel #poem #poetry
No individual existence can be traced further than the moment of conception, which determined that what was to be born would be this person and no other. The person may change from baby to child, and from boy to man, but through all these changes he will remain this person and cannot be another, because all possibilities to the contrary that may have existed before the moment of conception ended forever with the moment of conception. ↗
The banana flavour of his accidental conception, and the banana theme of his accidental death, now all seemed to conspire against him and rather suggest the universe, Mr Fate or whoever did have some sort of master plan after all. Despite all his earlier conjecturing, maybe the universe, Mr Fate or whoever was laughing its fat and meddling head at him. The outlandish evidence did seem to speak for itself, truly suggesting a mocking narrative devised by some mischievous author because quite simply a banana condom had brought Midnight into the world and a banana skin had seen him out. Putting those two seeming truths together, Midnight was once again forced to ask such confused and searching questions like: What is this place, where am I heading? And what’s the deal with all the ruddy bananas? ↗
