If I belong to a tradition, it is a tradition that makes the masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the composer what he ought to have composed. ↗
I think that one of the things that influences me most as a composer is to what extent I can deconstruct and reconstruct the material that I'm working with. ↗
I've come up with another formulation about style: that it's essentially a manifestation of a certain habitual set of limitations. It's what a composer does NOT do that defines a style. ↗