It got to the point in the late 70s and early 80s that I was spending so much money buying golden age comics that I could only justify it if I got work in the media. ↗
It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing. ↗
The misconception is that standup comics are always on. I don't know any really funny comics that are annoying and constantly trying to be funny all the time. ↗
Comics, at least in periodical form, exist almost entirely free of any pretense; the critical world of art hardly touches them, and they're 100% personal. ↗
I never was really into comics as a child, and I think if you miss the boat when you're a kid, you don't necessarily pick up on it when you're an adult. ↗
A lot of those comics can't hold down relationships and they've got no other life apart from performing. They sleep in their Jags and a lot of them can't even talk. All they can do is tell gags. ↗