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Read through the most famous quotes by topic #col
Here, in Lorrain's poisoned little jewel of a tale (“The Man Who Made Wax Heads”) the consummate achievement of decadent art is caught in miniature. The genius of the artist entangles perpetrators and victims in a sticky web of perverse delights, in which exploitation becomes collusion, the ripples of guilt spread outward, and the real criminal slips away. In the end, responsibility is lodged firmly with the consumer, forced – he must confess – by his own perverse desires, to buy into the values of this particularly black market. ↗
Na escola, a mediocridade vem regada à busca de novas teorias pedagógicas (normalmente com baixíssimo impacto ou possibilidade de verificação de suas premissas); na universidade, vem vestida de burocracia da produtividade e corporativismo de bando; na arte, nos discursos contemporâneos sobre a "destruição da forma". Modos distintos de "fazer nada" ocupando tempo e gerando institucionalização e papo-furado cheio de jargão técnico. ↗
How lucky, I thought, were people who had known from earliest childhood what they wanted to do. All the children in my grammar school, who said they wanted to be doctors, had grown up to become doctors. This was also the case apparently with firemen, veterinarians, songwriters, and race car drivers. I had opted for a kind of pure experience, which, as Doo-Wah had pointed out, is not usually something you get paid for. I did not want to write a book about it. I did not want to write so much as an article. I wanted to be left alone with my experience and go on to the next thing, whatever that was. ↗
Tot așa cum galbenul este intotdeauna asociat cu lumina, se poate spune și că albastrul aduce cu el și un principiu al întunericului. Această culoare are un efect special și aproape indescriptibil asupra ochiului. Pe scara culorilor este una puternică, însă de partea negativă, și la maximum de puritate este, cum s-ar zice, o negație stimulatoare. Aspectul său este deci un fel de contradicție între excitație și calm. ↗
As my friend Jeremy Gilbert-Rolfe has argued persuasively, there is an element of positivity in the visible world, and in color particularly, that totally eludes the historicity of language, with its protocols of absence and polarity. The color red, as an attribute of the world, is always there. It is something other than the absence of yellow and blue--and, thus, when that red becomes less red, it becomes more one or the other. It never exists in a linguistic condition of degradation or excess that must necessarily derive from our expectations. ↗
#art
The Empress doesn't get collared, or caged, or tortured. How artfully she beckons, how perfectly she punishes.... ↗
