#classic

Considering thus how much honor is awarded to antiquity, and how many times—letting pass infinite other examples—a fragment of an ancient statue has been bought at high price because someone wants to have it near oneself, to honor his house with it, and to be able to have it imitated by those who delight in that art, and how the latter then strive with all industry to represent it in all their works; and seeing, on the other hand, that the most virtuous works the histories show us, which have been done by ancient kingdoms and republics, by kings, captains, citizens, legislators, and others who have labored for their fatherland, are rather admired than imitated—indeed they are so much shunned by everyone in every least thing that no sign of that ancient virtue remains with us—I can do no other than marvel and grieve… From this it arises that the infinite number who read [the histories] take pleasure in hearing of the variety of accidents contained within them without thinking of imitating them, judging that imitation is not only difficult but impossible—as if heaven, sun, elements, men had varied in motion, order, and power from what they were in antiquity. Wishing, therefore, to turn men from this error, I have judged it necessary to write on all those books of Titus Livy... ↗

— Niccolò Machiavelli

#classics #history #politics #art

When sonneteering Wordsworth re-creates the landing of Mary Queen of Scots at the mouth of the Derwent - Dear to the Loves, and to the Graces vowed, The Queen drew back the wimple that she wore - he unveils nothing less than a canvas by Rubens, baroque master of baroque masters; this is the landing of a TRAGIC Marie de Medicis. Yet so receptive was the English ear to sheep-Wordsworth's perverse 'Enough of Art' that it is not any of these works of supreme art, these master-sonnets of English literature, that are sold as picture postcards, with the text in lieu of the view, in the Lake District! it is those eternally, infernally sprightly Daffodils. ↗

— Brigid Brophy

#criticism #deep #half-witted-sheep #wordsworth #art

And all the lives we ever lived and all the lives to be, are full of trees and changing leaves ↗

— Woolf Virginia

#change

I'm going to make him an offer he can't refuse. ↗

— Marlon Brando

#classic #godfather #awesome

With the shrinking of the US economy, and it's shrinking very rapidly, you not only have more money, but you also have fewer goods. That's a classic double-whammy on inflation. ↗

— Arthur Laffer

#classic #economy #fewer #goods #inflation

Of course, the whole Andy Kaufman angle was classic. I'm real proud of that. I mean that is something people are still talking about 20 years later, making movies about and that sort of thing. I mean not a day goes by that someone doesn't mention Andy Kaufman to me. ↗

— Jerry Lawler

#andy #angle #classic #course #day

I actually write film music because I'm classically trained on the piano so as well as songwriting I also write actual film music that could be used for movies like war movies and love movies. ↗

— Vanessa Brown

#actually #also #because #classically #could

The first album is a classic record and I think the prototype of a sound that no one else does. ↗

— Kathy Valentine

#classic #does #else #first #i

In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form. ↗

— Mike Figgis

#classical #classical music #cycle #development #end

So writing a song is much harder than doing a classical piece for me, because in a classical piece, I can just let the mood dictate what's going to happen. ↗

— Glenn Danzig

#classical #dictate #doing #going #happen