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Rites–of–passage stories…were cherished in pre–literate societies not only for their entertainment value, but also as mythic tools to prepare young men and women for life’s ordeals. A wealth of such stories can be found marking each major transition in the human life cycle: puberty, marriage, childbirth, menopause, death. Other rites–of–passage, less predictable but equally transformative, include times of sudden change and calamity such as illness and injury, the loss of one’s home, the death of a loved one, etc. These are the times when we wake, like Dante, to find ourselves in a deep, dark wood — an image that in Jungian psychology represents an inward journey. Rites–of–passage tales point to the hidden roads that lead out of the dark again — and remind us that at the end of the journey we’re not the same person as when we started. Ascending from the Netherworld (that grey landscape of illness, grief, depression, or despair), we are ‘twice–born’ in our return to life, carrying seeds — new wisdom, ideas, creativity and fecundity of spirit. ↗
Bellusdeo laughed. It was, for a moment, the only sound in the quiet of the fief’s night, and it was warmer and deeper than the lingering night chill. When her laughter faded, she glanced at Kaylin. “I was not like this before. I thought that the Shadows had not touched me.” She lowered her head a moment. Kaylin understood this, as well. “It seems so unfair,” she finally said. “Life is unfair. Which part of it pains you?” “We suffer, and it breaks something. When we win free—by gaining our name, by crossing a bloody bridge—we still live in a cage of scars. If life were fair, we would never have suffered what we suffered at all; having suffered it and survived, we’re still reacting to things that don’t exist anymore.” “But they did.” “Yes. I hate that they still define me.” Voice lower, she said to Bellusdeo, “I want that to change. I don’t know how to change it. But I’m willing to spend the rest of my life trying.” Shaking her head, she forced herself to smile; it was surprisingly easy. There was something about Bellusdeo that she liked. “Home is a strange thing.” “What do you mean?” “We lose it, and we think it’s gone forever. That’s how I felt the first time I lost mine. It took me years to understand that I could find—and make—another. I couldn’t do it on my own, though; I don’t think—for me—home exists in isolation. ↗
As a woman of color who is interested in these issues of democracy and who wants to enact social change, Pilaf sees the Internet as a tool that perpetuates the corporate, white, middle-class hegemony of American consumer culture rather than a tool for revolution. Instead of viewing the Internet as a new outlet for activism and that opens up a world of communication, Pilaf sees the online communication and activism as an escape valve, a way to remove oneself from interactions with people. Although I disagree with her on this point, I’m very much aware that my ability to see the Internet as revolutionary comes from a place of privilege, in which I can think of the Internet as a sexual, political, and intellectual arena because I’m in a place (geographically and economically) where these are the very things that are my primary focus and concern. Although some of Pilaf’s criticisms overlap with those technophobes who view the Internet as the devil’s playground, her observations come from a very real, intense place of political and personal discomfort with forging ahead of digital culture and the casualties this ‘progress’ may leave. ↗
Government should not be involved in marriage at all, I believe. There’s no reason for it. I don’t get the value of my marriage government, I get it from God. I want the government out of my life. If you want to find a church that marries a gay couple, that’s totally fine. My church does not do that and it will fundamentally change what i believe is the eternal family, the basic building block. And I have a right to believe that, and I have a right to go to a church that believes that and we have a right to practice. As long as I’m not trying to force you to do anything. ↗
What is in the pencil is greater than what is around it. The talents in you are greater than the environment surrounding you. Your potentials will change your environment. ↗
#believe #believe-and-achieve #change #christ-in-you #environment
Even you, the professional helper, often mistaken for the enlightened Guru or Staretz, can become lost in your thoughts that you must be competent without fault. You may become enthralled with your identity as a professional, even the pressures of the culture of mastery that expects you to heal your clients without fail. Never mind all of the variables over which you have no control, it is up to you, according to the canons of mastery, to control the health and well-being of those for whom you provide professional care. This potentiates a furthering alienation between you and your clients. You are at risk to become, if you have not already, the one who does to your clients; to be the one the active subject acting upon the passive and receptive objects, your clients; to be the one in possession of special knowledge, technique and mastery. All of this conspires to coax or coerce you into treating your client as reduced, a mere case. Unawareness to these influences gives you little chance to consider their influence on your practice in the clinical setting, much less give attentive efforts to resist or change them. ↗
#dbt #dialectical-behavior-therapy #luce-irigaray #mastery #mental-health
A text by a minority writer is effective only if it succeeds in making the minority point of view universal. ('The Universal and the Particular')" ... In claiming the lesbian point of view as universal, she overturns the concepts to which we are accustomed. For up to this point, minority writers had to add "the universal" to their points of view if they wished to attain the unquestioned universality of the dominant class. Gay men, for example, have always defined themselves as a minority and never questioned, despite their transgression, the dominant choice. This is why gay culture has always had a fairly wide audience. [From the Foreword "Changing the Point of View" by Louise Turcotte] ↗
