#authorship

And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes. A novel for me is an immersive experience where I feel as if I have lived it and that I've tasted the food and experienced the sex and experienced the terror of battle. So I want all of the detail, all of the sensory things—whether it's a good experience, or a bad experience, I want to put the reader through it. To that mind, detail is necessary, showing not telling is necessary, and nothing is gratuitous. ↗

— George R.R. Martin

#inspirational #meaning #purpose #reading #storytelling

I proceed with the proper subject of this discourse; namely, the further changes in scientific belief, which have occurred within my own recollection, even since the time when I first aspired to authorship, now forty- five years ago. ↗

— Asa Gray

#aspired #authorship #belief #changes #discourse

We are the products of editing, rather than of authorship. ↗

— George Wald

#editing #products #rather #than

One picks one's way about through the glass and aluminum doors, the receptionists' smiles, the lunches with too much alcohol, the openings with more, the mobs of people desperately trying to define good taste in such loud voices one can hardly hear oneself giggle, while the shebang is lit by flashes and flares through the paint-stained window, glimmers under the police-locked door, or, if one is taking a rare walk outside that day, by a light suffusing the whole sky, complex as the northern aurora. ↗

— Samuel R. Delany

#authorship #taste #art

It may take a decade or two before the extent of Shakespeare's collaboration passes from the graduate seminar to the undergraduate lecture, and finally to popular biography, by which time it will be one of those things about Shakespeare that we thought we knew all along. Right now, though, for those who teach the plays and write about his life, it hasn't been easy abandoning old habits of mind. I know that I am not alone in struggling to come to terms with how profoundly it alters one's sense of how Shakespeare wrote, especially toward the end of his career when he coauthored half of his last ten plays. For intermixed with five that he wrote alone, Antony and Cleopatra, Coriolanus, The Winter's Tale, Cymbeline, and The Tempest, are Timon of Athens (written with Thomas Middleton), Pericles (written with George Wilkins), and Henry the Eighth, the lost Cardenio, and The Two Noble Kinsmen (all written with John Fletcher). ↗

— James Shapiro

#collaboration #history-of-thought #shakespeare #teaching #life

To lead and live the life of your dream, you must arise and be in-charge of the authorship of your own destiny. ↗

— Ifeanyi Enoch Onuoha

#authorship #destiny #life #dreams

So there's a lot of people tied into believing that the traditional response to the authorship question. In terms of actors, some people get very angry about it. ↗

— Mark Rylance

#angry #authorship #believing #get #into

The trade of authorship is a violent, and indestructible obsession. ↗

— George Sand

#indestructible #obsession #trade #violent

No one writes anything worth writing, unless he writes entirely for the sake of his subject. ↗

— Arthur Schopenhauer

#authorship #truth #writing #art

There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. [...] The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say. ↗

— Arthur Schopenhauer

#authorship #truth #writing #art