No subscription or hidden extras
Read through the most famous quotes by topic #arty
A wave of possessiveness came over him, almost frightening in its intensity. Mine. The thought of another man looking at her was almost enough to make him change his mind about leaving. ↗
So the question becomes, If you are ever faced with this choice are you willing to die for what you believe in? For that is the only way you will deny him. [...] It's a difficult question and not one you can answer until you're faced with it. Keep in mind that many people have died for their beliefs; it's actually quite common. The real courage is in living and suffering for what you believe. ↗
The alternate domination of one faction over another, sharpened by the spirit of revenge, natural to party dissension, which in different ages and countries has perpetrated the most horrid enormities, is itself a frightful despotism. But this leads at length to a more formal and permanent despotism. The disorders and miseries, which result, gradually incline the minds of men to seek security and repose in the absolute power of an individual; and sooner or later the chief of some prevailing faction, more able or more fortunate than his competitors, turns this disposition to the purposes of his own elevation, on the ruins of Public Liberty. ↗
From the point of view of the Chinese Communist Party, the greatest casualties of the Cultural Revolution were the Party’s prestige and its ability to govern. Pg. 539 ↗
Children accept the conditions they are born into, and, to a degree, I was getting used to the bombings, fires, and death around me. I remember that I thought those things were normal. It is grown-ups who worry about things, and this ... this was total panic! I could taste the fear, and I could see that my mother was frightened, which I had never seen before, and this made me even more frightened. ↗
#alfred-nestor #author-alfred-nestor #children-in-war #hitler #hitler-s-germany
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters") ↗
