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Read through the most famous quotes by topic #architecture
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed; an architectural one, where it is constructed; and finally, a textile one, where it is woven. ↗
Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos. ↗
There's a power struggle going on across Europe these days. A few cities are competing against each other to see who shall emerge as the great 21st century European metropolis. Will it be London? Paris? Berlin? Zurich? Maybe Brussels, center of the young union? They all strive to outdo one another culturally, architecturally, politically, fiscally. But Rome, it should be said, has not bothered to join the race for status. Rome doesn't compete. Rome just watches all the fussing and striving, completely unfazed. I am inspired by the regal self-assurance of this city, so grounded and rounded, so amused and monumental, knowing she is held securely in the palm of history. I would like to be like Rome when I am an old lady. ↗
#life #old #rome #architecture
Design is a fundamental human activity, relevant and useful to everyone. Anything humans create—be it product, communication or system—is a result of the process of making inspiration real. I believe in doing what works as circumstances change: quirky or unusual solutions are often good ones. Nature bends and so should we as appropriate. Nature is always right outside our door as a reference and touch point. We should use it far more than we do. ↗
#art #creativity #design #logos #nature
Architecture should have little to do with problem solving - rather it should create desirable conditions and opportunities hitherto thought impossible. ↗
南イタリアには、一度この地を知ると、虜になってしまう不思議な魅力がある。それもそのはずで、地中海に突き出た南イタリアは、古くから多くの民族が行き交い、さまざまな文化が交錯する地域であり、都市を探訪するにはもってこいの宝庫なのだ。世界広しといえども、都市の在り方がこれほど多彩で、感動的な風景と出会える場所も珍しい。 南イタリアの都市風景の多様性を生むうえで、ここに繰り広げられた歴史のドラマがそのベースになっているのはいうまでもない。古代のギリシア、ローマをはじめ、中世のビザンツ、イスラーム、そしてノルマン、さらにはフランスやスペインの支配下で、多様な文化が培われた。 そして、南イタリア都市の変化に富んだ迫力ある形態は、その古さと明らかに結びついている。中北部のイタリアよりも、中世の早い時期に都市を形成し、あるいは古代都市を復興したから、骨格となる層が古く、それだけ複雑な都市構造が生まれたのだ。しかも、南には、重厚な石づくりの文化を発展させた地方が多く、建物の持続性がそれだけ大きい。「イタリアの都市は歴史が重なっている」とよく言われるが、南イタリアを巡ると、それをいっそう強く感じる。ここでは、古い時代の建物の壁がよく残り、歴史の重なりがそのまま視覚化されているのである。 同時にまた、いかにも地中海世界らしい自然条件、気候風土が、独特の民家や都市・集落の姿をつくり出した。変化に富んだ地形とあいまって、都市や集落はさまざまな立地の在り方を見せている。 心地よい戸外での生活が活発なのも、南イタリアの大きな特徴で、それだけ近隣所のコミュニティの共有空間も発達した。人々の生活ドラマが繰り広げられる舞台としての都市空間は、我々の心を打つ。 南イタリアには、このように個性的で魅力ある都市が各地にあるのに、ほとんど調査もされず、眠っていることが多い。イタリアには歴史的価値のある建築や都市が多過ぎて、南部の小さな田舎町にまで、とても専門家の目が届かないのだ。[4〜5ページ] ↗
The ideal of quiet and of genteel retirement, in 1835, was found in Washington Square, where the Doctor built himself a handsome, modern, wide-fronted house, with a big balcony before the drawing-room windows, and a flight of marble steps ascending to a portal which was also faced with white marble. This structure, and many of its neighbours, which it exactly resembled, were supposed, forty years ago, to embody the last results of architectural science, and they remain to this day very solid and honourable dwellings. In front of them was the Square, containing a considerable quantity of inexpensive vegetation, enclosed by a wooden paling, which increased its rural and accessible appearance; and round the corner was the more august precinct of the Fifth Avenue, taking its origin at this point with a spacious and confident air which already marked it for high destinies. I know not whether it is owing to the tenderness of early associations, but this portion of New York appears to many persons the most delectable. It has a kind of established repose which is not of frequent occurrence in other quarters of the long, shrill city; it has a riper, richer, more honourable look than any of the upper ramifications of the great longitudinal thoroughfare—the look of having had something of a social history. ↗
I believe that the idea of the totality, the finality of the master-plan, is misguided. One should advocate a gradual transformation of public space, a metamorphic process, without relying on a hypothetical time in the future when everything will be perfect. The mistake of planners and architects is to believe that fifty years from now Alexanderplatz will be perfected. -p.197 ↗
#architecture #methodology #modernity #urban-planning #architecture
