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The Praying Mantis Visits A Penthouse The praying Mantis with its length of straw Out of nowhere's forehead born full armed Engaged the century at my terrace door. Focused at inches the dinosaur insect sends Broadsides of epic stillness at my eye, Above the deafening projects of the age. My love, who fears the thunder of its poise, Has seen it and cries out. The clouds like curls Fall in my faith as I seize a stick to stop This Martian raid distilled to a straw with legs, To wisps of prowess. Bristling with motionlessness The Mantis prays to the Stick twice armed with Man. I strike, the stick whistles, shearing off two legs Which run off by themselves beneath some boards. The Mantis spreads out tints of batlike wing, The many colored pennants of its blood, And hugs my weapon; the frantic greens come out, the reds and yellows blurt out from the straw, All sinews doubtless screaming insect death. Against the railing's edge I knock the stick Sending that gay mad body into the gulf. Such noisy trappings in defeat wake doubts. I search my mind for possible wounds and feel The victim's body heavy on the victor's heart. ↗
When you sit that way, you look kind of like a beach ball with a head,” he continued. “Your haircut is really, really bad, I’m probably going to lose my job for helping you this way, and I’m dying to fuck you.” He glanced at her. “That honest enough for you? ↗
Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully; you were endowed with the strength of love, the ability to feel. Whereas we creatures of reason, we don't live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void. You are an artist; I am a thinker. You sleep at your mother's breast; I wake in the desert. For me the sun shines; for you the moon and the stars. ↗
The Islamic revolution in Iran is a positive development. At the same time, the Islamic revolution of Afghanistan, sprung exclusively from spiritual roots, dealt a heavy blow to the communist regime in the former Soviet Union. In face of that revolution, the red Soviet empire had to concede that it is incapable, in spite of its military superiority, to defeat the Mujaheddin, whose main weapons were their right and their spiritual strength. Another quite new situation appeared as a consequence of the Islamic revolution in Iran, that destroyed the Zionist rule in that country and shook its foundations in that part of the world. Khomeini's letter to Gorbachev, in which he was inviting the latter to convert to Islam, had great symbolic power! What is new again is the movement of Islamic rebirth and the continuous decay of the strength of the colonial government bodies directed from afar by Israel in many Islamic countries." "The Islamic system has remained stable in Iran even after the death of Khomeini and the change in the person of the leader and of the leadership group the only one to remain stable in the entire Islamic world. On the contrary, the demise of the Shah meant at the same time the collapse of his regime, his artificial form of government, and his army. All that went to the dust-bin of history. The same fate awaits the other regimes that prevail in the muslim world. Israel knows that very well. She tries desperately to cause the wheel of history to stand still. However, any strike against Iran or against the growing Islamic movements, will cause the anger of the muslim masses to grow, and the fire of the Islamic revolution to ignite. Nobody will be able to suppress that revolution. ↗
Jake became excruciatingly aware of her, there, right behind him. The small grunts and groans as she placed each foot carefully on the slick ground reverberated in his gut. He wanted to turn around and tell her to shut the hell up. She sounded as though she was having sex. Good sex. ↗
What are they waiting to see?" Sam follows my gaze and I shrug. "Who knows? You could always do a dance, or tell a joke, or... kiss the bride?" "Not the bride," he wraps his arms around me, and gradually pulls me close. Our noses are practically touching. I can see right into his eyes. I can feel the warmth of his skin. "you." Me. "The girl who stole my phone." His lips brush across the corner of my mouth. "The thief." "It was in a bin." "Still stealing." "No it isn't-," I begin. But now his mouth is firmly on mine, and I can't speak at all. And suddenly, life is good. ↗
In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau's idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beautiful body is dead, because it is empty. Decadent work is always morbid, but its attraction to death is through art. What they refused was the condemnation of that monster. And yet despite the decadent celebration of artifice, these stories record art's failure in the struggle against natural horror. Nature fights back and wins, and decadent writing remains a remarkable account of that failure. ↗
