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As a first-generation Ethiopian immigrant, Sheba had lived in Charleston since she turned five years of age. She was Ethiopian by birth, but American by preference. She had worked hard, studied and sacrificed plenty to get where she was today, no easy feat for someone who had just celebrated her twenty-sixth birthday. According to her friends, Sheba was a beauty, though when she looked in the mirror, she saw inevitable flaws; her cheekbones were too pronounced, her mouth a little too wide, her nose with that perturbing slant to it. Still, she accepted compliments gratefully, especially from her roommate, Janelle. Janelle was the true beauty, Sheba thought, with dark ebony skin so smooth that she could be a walking ad for Ghirardelli Dark Chocolate. ↗
V’s reference to his age, specifically the difference between them, only pissed Zane off more. He hated that she used that as an excuse. She’d tried it one other time, and if he remembered correctly, she’d been sprawled out beneath him in ten seconds flat, begging him to let her come. ↗
His back was to me and he was wearing pajama bottoms and nothing else. His shoulders, the smooth muscles of his back, the wide expanse of smooth, tan skin, was all exposed to the naked eye and I was blinded by the beauty of it. So much, it was a wonder I didn't throw out my hand reeling. At that thought, he turned and gave me a view of his chest. At this view, arguably better than his back, I sucked in a breath then whispered to myself, "Oh my God. ↗
He is Jason and Hercules and Perseus---a figure so strong and beautiful and heroic that the blood of the gods must flow through him, because how else could a being so fine exist in this world? ↗
You're so fucking beautiful when you come," he said, cupping her face, nuzzling her mouth. "Now turn around and bend over. I need to ride you." Tate opened her eyes and let out a shaky laugh. "Bend over the table? After being on my feet the whole night? I don't think so, buddy. I want on my back, pronto." "And I want in you. Now," he said as he lifted her left leg, hooked his elbow under her knee, and entered her. ↗
From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember. ↗
Can I see it?" He blinked, still scowling, "See what?" "Your scar." His expression darkened like a sudden eclipse and I let my gaze grow cold. "You want to hear me scream? Give it your best shot. But until then, every time you take off your shirt, you may as well be handing out my business card. I shoved my blade deep inside you and loved every single inch of it. When I can't sleep at night, the memory of you screaming like a little bitch is my lullaby. And everybody knows exactly what that scar means- that you got your ass handed to you by a little girl. Again. ↗
