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Read through the most famous quotes by topic #age
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. ↗
#age
(Anya) I've got a theory, it could be bunnies... - all pause - (Tara) I've got a theor- (Anya) Bunnies aren't just cute like everybody supposes, They've got them hoppy legs and twitchy little noses. And what's with all the carrots-? What do they need such good eyesight for anywa - y? Bunnies, bunnies it must be bunnies! - pause - ...or maybe midgets... (Willow) I've got a theory we should work this fa - s t. ( Giles) because it clearly could get serious before it's passed. (Buffy) I've got a theory - it doesn't matte - r. What can't we face if we're together? What's in this place that we can't weather? Apocalypse? We've all been there. The same old trips. Why should we care? (All) What can't we do if we get in it? We'll work it through if there's a minute. We have to try. We'll pay the price. It's do or die. (Buffy) Hey, I've died twice! What can't we face if we're together? (Giles) What can't we face? What's in this place that we can't weather? (Giles) If we're together. There's nothing we can't fa - ce. (Pause) (Anya) Except for bunnies... ↗
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ↗
And your will shall decide your destiny," he said: "I offer you my hand, my heart, and a share of all my possessions." You play a farce, which I merely laugh at." I ask you to pass through life at my side--to be my second self, and best earthly companion." For that fate you have already made your choice, and must abide by it." Jane, be still a few moments: you are over-excited: I will be still too." A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said - Come to my side, Jane, and let us explain and understand one another." I will never again come to your side: I am torn away now, and cannot return." But, Jane, I summon you as my wife: it is you only I intend to marry." I was silent: I thought he mocked me. Come, Jane--come hither." Your bride stands between us." He rose, and with a stride reached me. My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me? ↗
Invisible prose only!" rules out the sparkling style of [writers]. . . For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood. ↗
All of us are taking the night off," Wrath said abruptly. "We need some regroup time." Rhage snorted from across the table. "You're not going to make us play Monopoly again, are you?" Yup." A collective groan rose up from the Brotherhood, one that Wrath ignored. "Right after dinner. ↗
When we sat down to eat I took inventory of the people in the room, and the remnants of my good mood evaporated when I realized how very little I had in common with them – the career dads, the responsible and diligent moms – and I was soon filled with dread and loneliness. I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this. ↗
