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Read through the most famous quotes by topic #adults
His allure, as he stood there, his face, even with the red swollen eyes, everything about him was gorgeous. ↗
Couples stray,” said Edgar. “Part of the breaking-in process.” “Not breaking in, breaking.” Nicola differed sharply. “You can glue people together again. But then your relationship’s like any other repaired object, with cracks, blobs of epoxy, a little askew. It’s never the same. I can see you haven’t a notion what I’m on about, so you’ll have to take my word for it.” “Christ, you’re a babe in the woods.” Edgar stopped slicing tomatoes. “You got it ass-backward. A marriage perched like porcelain on the mantelpiece is doomed. Sooner or later grown-ups treat each other like shit. You gotta be able to kick the thing around, less like china than an old shoe—bam, under the bed, or walk it through some puddles. No love’s gonna last it if can’t take abuse. ↗
It occurred to Raule that all children were monsters in the world and were instinctively aware of it. They were reminded of their anomalous nature by adults, whom they failed to resemble, and with whose habitations and tools their bodies were at odds. This was surely why the little girl played with the sequins so solemnly and with such intense concentration. She was doing nothing less than conjuring, out of pattern and colour, a world that conformed to her desires and obeyed her will. The boy, on the other hand, showed with the whole attitude of his being that he knew there was only the one world and he would kill it if he could. ↗
#children #conjuring #emilia-vargey #jacope-vargey #monsters
Fairy tales for adult readers remained popular throughout Europe well into the 19th century — particularly in Germany, where the Brothers Grimm published their massive collection of German fairy tales (revised and edited to reflect the Brothers’ patriotic and patriarchal ideals), providing inpiration for novelists, poets, and playrights among the German Romantics. Recently, fairy tale scholars have re–discovered the enormous body of work produced by women writers associated with the German Romantics: Grisela von Arnim, Sophie Tieck Bernhardi, Karoline von Günderrode, Julie Berger, and Sophie Albrecht, to name just a few. ↗
#fairy-tales-for-adults #feminism #germany #magical-stories #stories
Adults, in their dealing with children, are insane," he [Ed Ricketts] said. "And children know it too. Adults lay down rules they would not think of following, speak truths they do not believe. And yet they expect children to obey the rules, believe the truths, and admire and respect their parents for this nonsense. Children must be very wise and secret to tolerate adults at all. And the greatest nonsense of all that adults expect children to believe is that people learn by experience. No greater lie was ever revered. And its falseness is immediately discerned by children since their parents obviously have not learned anything by experience. Far from learning, adults simply become set in a maze of prejudices and dreams and sets of rules whose origins they do not know and would not dare inspect for fear the whole structure might topple over on them. I think children instinctively know this," Ed said. "Intelligent children learn to conceal their knowledge and keep free of this howling mania. ↗
Courage was no that hard to come by for children. No matter the hardships they faced, given a little love and encouragement, their spirits rebounded and thrived. Adults were different. Their habits and experiences made them inflexible, welding their routines into place, cementing their joys and hurts to create expectations of life that were not in line with the new realities. All around her, Cass saw the dazed expressions and the blank weariness. ↗
