Read through the most famous quotes by topic #ado
She's in the Catskill," Shopie began, but Scathach reached over and pinched her hand. "Ouch!" I just wanted to distract you," Scathach explained. "Don't even think about Black Annis. There are some names that should never be spoken aloud." That like saying don't think of elephants, Josh said, "and then all you can think about is elephants." Then let me give you something else to think about," Scathach said softly. "There are two police officers in the window staring at us. Don't look," she added urgently. Too late. Josh turned to look and whatever crossed his face--shock, horror, guilt or fear--bought both officers racing into the cafe, one pulling his automatic from its holster, the other speaking urgently into his radio as he drew his baton. ↗
Great artists are a little too gifted to be bound by boxes and labels, and in saying that, the label 'artist' is to be used lightly. ↗
[Hitler] has grasped the falsity of the hedonistic attitude to life. Nearly all western thought since the last war, certainly all “progressive” thought, has assumed tacitly that human beings desire nothing beyond ease, security, and avoidance of pain. In such a view of life there is no room, for instance, for patriotism and the military virtues. Hitler, because in his own joyless mind he feels it with exceptional strength, knows that human beings don’t only want comfort, safety, short working-hours, hygiene, birth-control and, in general, common sense; they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flag and loyalty-parades ... Whereas Socialism, and even capitalism in a grudging way, have said to people “I offer you a good time,” Hitler has said to them “I offer you struggle, danger and death,” and as a result a whole nation flings itself at his feet ↗
So, in spite of all apparent contradictions, this strange love of Hitler for Stefanie falls into the pattern of his character. Love was a field where the unforeseeable might happen, and which might become dangerous. How many men who had set out with great intentions had been forced off their path by irregular and complicated love affairs. It was imperative to be on one's guard! Instinctively, the young Hitler found the only correct attitude in his love for Stefanie: he possessed a being whom he loved, and at the same time, he did not possess her. He arranged his whole life as though he possessed this beloved creature entirely. But as he himself avoided any personal meeting, this girl, although he could see that she walked the earth, remained nevertheless a creature of his dream world, towards whom he could project his desires, plans and ideas. And thus he kept himself from deviating from his own path; indeed, this strange relationship, through the power of love, increased his own will. He imagines Stefanie as his wife, builds the house in which they live together, surrounds it with a magnificent garden and arranges his home with Stefanie, just as, in fact, he did later on the Ober-Salzburg, though without her. This mixing of dream and reality is characteristic of the young Hitler. And whenever there is a danger that the beloved would entirely escape into the realm of fantasy, he hurries to the Schmiedtoreck and makes sure that she really walks the earth. Hitler was confirmed in the choice of his path, not by what Stefanie actually was, but by what his imagination made of her. Thus, Stefanie was two things for him, one part reality and one part wish and imagination. Be that as it may, Stefanie was the most beautiful, the most fertile and purest dream of his life. ↗
Well," he said, "I don't believe that either." "Believe what? That I messed up? Why not?" "Weren't you just listening? I saw you in Spokane. Someone like you doesn't mess up freeze." I was about to give him the same line I had given the guardians, that killing Strigoi didn't make me invincible, but he cut me off: "Plus I saw your face out there." "Out.... on the quad?" "Yeah," several more quite moments passed. "I don't know what happened, but the way you looked...that wasn't the look of someone trying to get back at a person. It wasn't the look of someone blanking out of Alto's attack either. It was something different...I don't know. But you were completely consumed by something else—and honestly? Your expression? Kind of scary." "Yet...you aren't giving me a hard time over that either." "Not my business. If it was big enough to take you over like that, then it must be serious. But if push comes to shove, I feel safe with you, Rose. I know you'd protect me if there really was a Strigoi there." He yawned. "Okay. Now that I have bared my soul, can we please go to bed? Maybe you don't need beauty sleep, but some of us aren't so lucky. ↗
There is a beauty in paradox when it comes to talking about things of ultimate concern. Paradox works against our tendency to stay superficial in our faith, or to rest on easy answers or categorical thinking. It breaks apart our categories by showing the inadequacy of them and by pointing to a reality larger than us, the reality of gloria, of light, of beyond-the-beyond. I like to call it paradoxology—the glory of paradox, paradox-doxology—which takes us somewhere we wouldn’t be capable of going if we thought we had everything all wrapped up, if we thought we had attained full comprehension. The commitment to embracing the paradox and resisting the impulse to categorize people (ourselves included) is one of the ways we follow Jesus into that larger mysterious reality of light and love. ↗
But I think you’re beautiful. You’re lovely.” I shifted uncomfortably under the intense scrutiny and prickling heat in his eyes. “Thanks?” He thinks I'm…lovely? The idea that Kyle thought I was not just hot, but lovely, sent pangs of something like fear through me, an intense pressure in my heart. ↗
Tell me what you see,” Michael said. Lucy looked about the room. She didn’t see anything much at first but old dusty furniture and old heavy draperies here and there. There were two large windows, but vines grew all over them, so that they didn’t let in much light. There was nothing else but dust and shadows. Lucy was disappointed. Then she began to wonder. What made the shadows? They moved across the room and disappeared, and other took their places. And every one of them was the shadow of a person. They walked about soundlessly and appeared to gesture and talk to one another. “Michael!” Lucy whispered softly, touching his arm. He was smiled vaguely, as though thinking of something far away. “Michael, who makes the shadows?” Michael looked down at her and smiled. “They’re the shadows of the people who lived in this castle,” he said. “It’s part of the magic.” “Then – it is enchanted! I felt there was something odd about it.” Michael was silent again and Lucy followed the direction of his eyes. He was watching the shadow of a young girl as it moved about. She seemed very beautiful and graceful. She wore long robes, with sleeves that fell to the floor, and her hair was long, hanging to her knees. She was walking back and forth and every once in a while, Lucy thought she held out her arms in their direction. “What does she want?” she whispered. “Is she trying to tell us something?” “She’s tired of waiting,” Michael said, “for the enchantment to be over. She gets very impatient sometimes. That is Gloria, the first princess who ever lived here. This castle was made for her.” “Was she a – Fairy Princess?” “Well, not at first. Would you like to hear about her?” “Oh, yes!” said Lucy. ↗
