#ada

Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression. ↗

— Robbie Coltraine

#big #cost #each #error #expression

Not all men are the same, you know. With someone such as Gavriel, I would suggest appearing aloof, not chasing too much. He might see that as suffocating rather than charming." Her words are sharp, but her voice is sweet, like honey on the edge of a blade, and meant to be cutting. I comfort myself with the knowledge that if Duval ever feels smothered by me, it will be because I am holding a pillow over his face and commending his soul to Mortain. ↗

— R.L. LaFevers

#madame-hivern #men

I believed, up to last week, that Adam was somehow coming back. But I wouldn't trade that optimism for anything, because the other option is no fun. ↗

— Michael Diamond

#anything #back #because #believed #coming

Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience. ↗

— Lasse Hallstrom

#based #comedies #different #experience #experiences

Nowadays the audience has changed. No one can anticipate the audience. ↗

— Vincente Minnelli

#audience #changed #nowadays

Nowadays I think it's really important that designers are really unique and individual. ↗

— Shigeru Miyamoto

#i #i think #important #individual #nowadays

I was born and raised in the high desert of Nevada in a tiny town called Searchlight. My dad was a hard rock miner. My mom took in wash. I grew up around people of strong values - even if they rarely talked about them. ↗

— Harry Reid

#around #born #called #dad #desert

That was never on my radar, traffic stopping. It was never important to me. ↗

— Kathy Ireland

#me #never #radar #stopping #traffic

There are no benefactors in Canada because there is no incentive. ↗

— Lara St. John

#benefactors #canada #incentive

But my question is, am I compromising by adapting my words for the audience and where is the line beyond which I am not adapting words, but changing my position? ↗

— Joichi Ito

#am #audience #beyond #changing #compromising