You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.

Recording an astonishing array of repertoire (spanning centuries) as musicologist Alan Blyth asserted "No singer in our time or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. His recordings of Winterreise with accompanist Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release.